Artur & Tailors Ltd

Artur & Tailors Ltd Extraordinary Bespoke Tailoring for Stage and Screen

03/22/2026

Artur was delighted and trepidatious to record a speaking part as one of Paul Tazewell’s collaborators in the exhibit of his costume designs at the museum of Science and Industry in Chicago, running now. Having become a full time tailor at age 14, reading (and in English no less - his third language) was not something Artur is super used to, but he did great! Thank you, always, Paul, for the opportunities to be part of your vision and artistry. 🙏❤️

03/22/2026

What a treat it was to get to see the exhibit of ’s costumes while in Chicago for Hamilton fittings on Friday!! It is so moving to be a small part of the process of making theatrical art pieces such as Hamilton, that help shape the world (for the better, I hope 🙏), and to be recognized for our contributions too, as behind the scenes as they are, is very touching. The way this exhibit is set up, at the museum of Science and Industry in Chicago, there are video images flashing onto the walls all around, and I found myself spinning to catch them before they disappeared. In the room where Paul features his collaborations, Artur’s voice is part of it (which I’ll share in the next post) and his hands, Pavel’s, our cutter Lena’s, and my own (Tova), as well as a shot of Oksana, all flash up on the screens, larger than life. And there are rooms showing Paul’s costumes and footage from Hamilton, The Wiz Live, Harriet, the PNB’s incredible version of Sleeping Beauty (including the orange gown in the opening here), West Side Story, the film version of Wicked…... Loved too getting to see Janelle Monae’s Met Gala 2025 look up close — what a celebration of tailoring it is!! There’s also a room in the exhibit that is incredibly dear, with marionettes that Paul’s mother made (art pieces all their own) and ones he made too as a child, creating along side her. It makes me wish anew that every child had the resources and parenting to have their skills and interests nurtured as Paul did. How much we would all be blessed by the lives such nurturing helps to blossom.

We made a few tuxedos for the Bride movie that just opened, directed by Maggie Gyllenhaal, with costumes designed by ren...
03/10/2026

We made a few tuxedos for the Bride movie that just opened, directed by Maggie Gyllenhaal, with costumes designed by renowned Sandy Powell. These were made for Christian Bale, Jake Gyllenhaal, and Jake’s double Luke Hickey, shown dancing in the first three pictures. 👏 Artur doesn’t usually geek out over the stars we fit (he famously thinks we’ve fit them before, even if meeting them for the first time, simply because they look familiar, and they’ll shake hands and say “Nice to see you again!” 😂) but Artur is a proud Armenian, and Mr. Bale made a movie in 2016 that is important to Armenians, called the Promise, so Artur was seriously moved to make a jacket for him AND that to discover that he was still up on Armenian politics. 🥹 They had some really sweet exchanges in these fittings. And as for me, (Tova) haha, I assumed “The Bride” was a romantic comedy (we just make what we’re asked to and don’t always ask a lot of questions!), so when Mr Bale thundered through the door looking like he was in a horror film, I did quite a double take! We then learned that the title referred to the Bride of Frankenstein and was definitely not a comedy. I’ve chuckled about it ever since. 😂

We made a few tuxedos for the Bride movie that just opened, directed by Maggie Gyllenhaal, with costumes designed by ren...
03/10/2026

We made a few tuxedos for the Bride movie that just opened, directed by Maggie Gyllenhaal, with costumes designed by renowned Sandy Powell. These were made for Christian Bale, Jake Gyllenhaal, and Jake’s double Luke Hickey.

We loved the delight that Beda Spindola brought to her fittings for Hell’s Kitchen National Tour! So fun! And we agree s...
02/27/2026

We loved the delight that Beda Spindola brought to her fittings for Hell’s Kitchen National Tour! So fun! And we agree she looks amazing! ❤️ We only got one fitting with Sheree Marcelle Dunwell (in a mockup jacket) before she was off on tour, but there was fun to be had in that as well. Of course, work too, but when done right, work is fun (too) and fun is work (too). With Costume Designer Dede Ayite, Associate David Kaley, and Assistant Audrey Peterson.

Garments made for “Jersey” in the Hell’s Kitchen National Tour. Despite maybe one or two protestations about the very hi...
02/27/2026

Garments made for “Jersey” in the Hell’s Kitchen National Tour. Despite maybe one or two protestations about the very high early 90s shoulder pads, we really did like them, ! Costume designer Dede Ayite and Associate David Kaley.

We were delighted to reprise the garments we’d made for  “Jersey” in Broadway’s Hell’s Kitchen for the National tour, an...
02/27/2026

We were delighted to reprise the garments we’d made for “Jersey” in Broadway’s Hell’s Kitchen for the National tour, and Kennedy Caughell looks smashing in them. Always great to work with Costume Designer Dede Ayite and Associate David Kaley.

It’s Friday - and the shows are mixing! Ha! A bra from one costume foundation taken off a mannequin and thrown over a Ha...
02/27/2026

It’s Friday - and the shows are mixing! Ha! A bra from one costume foundation taken off a mannequin and thrown over a Hamilton Parchment coat getting ready to be fit. Just a normal day at our “office”. 😆🥳❤️

Celebrating and grieving the loss of Costume Associate Scott Traugott near the end of 2025. We loved him!!! Before Artur...
01/28/2026

Celebrating and grieving the loss of Costume Associate Scott Traugott near the end of 2025. We loved him!!!

Before Artur & Tailors existed, Artur worked with Scott for many years at Barbara Matera’s costume shop, and when we opened our doors in the midst of the 2009 recession, Scott was one of the first to bring us work, with the long-running Mamma Mia that Artur had already been tailoring for years through Matera’s. Scott was the Associate Designer for Mamma Mia and we worked with him on it until the original Broadway production closed. We also got to work with Scott for the 2013 Broadway production of Breakfast at Tiffany’s, with Costume Designer Colleen Atwood and starring Cory Michael Smith, who’s looking dapper here in the first two fitting pictures.

The biggest reason we loved working with Scott was that he understood tailoring! (Not everyone does, tailors will tell you if you get them a lil tipsy. 😆) He really knew how to fit suits: what to ask for from a tailor to get the desired look, how to work in a harmonious and collaborative way in fittings, what order is most sensible to check the fit of different parts of the garments. And his eye was sharp! He knew how to create dashing lines. Together we made sleek linen suits for years of Mamma Mia casts that stood the test of time and even of dancers doing Russian splits - meaning, splits in the air while jumping!! Those linen pants did not split (until sweat eventually did them in). Artur _still_ sometimes asks in fittings “Will you need to do Russian splits in these pants?”, because he became so used to it! 😅

And the reason we loved Scott as a human was because he was kind, caring, quirky and intelligent. Sometimes in the early days of Artur & Tailors we’d stay after fittings to have a few drinks with him at our whiskey table. Man, I (Tova) learned so much about the history of the New York costume world over those drinks! About the Matera’s years that were before my time, about Vincent’s tailoring where he worked for a long time too, and about memorable (because horrible or stellar) fitting trips and fittings and people.

We will miss him.

Lovingly,
Tova, Artur and the A&T team

12/31/2025

Happy New Year everyone! Cheers to a bright, safe, healthy, loving and prosperous 2026 for all!! Grateful for this sweet and talented team we work with at and

❤️ A few more Ragtime images, first by Annie Liebowitz for the October 2025 issue of American Vogue, then a couple of be...
12/03/2025

❤️ A few more Ragtime images, first by Annie Liebowitz for the October 2025 issue of American Vogue, then a couple of behind the scenes snaps from a curtain call. Good to see that it really does fit Colin Donnell pretty well, even though we didn’t ever get to fit the suit on him! Ha! (See a previous post for why.)

Brandon Uranowitz and costume designer Linda Cho talking over and fitting his looks as Tateh for Lincoln Center’s Ragtim...
12/03/2025

Brandon Uranowitz and costume designer Linda Cho talking over and fitting his looks as Tateh for Lincoln Center’s Ragtime. Pants and suit made by us, based on Linda’s direction. ✨

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