07/29/2025
ððšð«ð¥ð-ððð§ðšð°ð§ðð ðð±-ðððððð® ðð°ðð«ð ððšðŠð¢ð§ðððð ðð®ð¢ððð«ð¢ð¬ð & ððšðŠð©ðšð¬ðð« ððððððð ðððððð performs with his Acclaimed Trio at the New Orleans Jazz & Blues Market on ðð¡ð®ð«ð¬ððð² ðð§ð ð
ð«ð¢ððð² ððððšððð« ðð & ðð ðð ð:ðð ð.ð. "ðâð âðð¢ð-ððð-ððð-âððð ð ðð¡ ð€ðð ð ð£ððð¡ð¢ðð ðð ð¡ðð¢ð ðð ððððð, ðð ðœððððð'ð ð ðð¡ð ð ð ððð¡ðð ððð," ððð£ðð ð¡âð ð¿ðð ðŽððºðžð¿ðžð ððŒððžð ð€âððð ððð ð ð ð¡ðð¡ððð, "ðºðððð¢ð ðð ð ð€ððð ððð¡ðð ð¡ðð ð ðð ðððð¢ðð ðð ðð¢ð ðððð ððððððð , ðð¢ð¡ ðð¡ âðð ðððð ðððâð¡ðð¢ðððŠ ððððððð ð¡ð ðð¡ðððððŠ ðœððððð."
"ðš ððððð
ððð ððððððð ððððð
ðððððð ðððððððð
ðððð ðð ððð
ððððð ððððð ðððððððððððð ððð
ððððððð
ððð
ððððððððððð
ððð ðððððððððð ððð
ðððððð ðð ððð ððð ððððð ððð
ðððð ðððð ðððððððð
ðð ððð ðð ððð ððððð
âð ðððð ððððð ðððððððððð...ððð ððð ððð
ðððð ð
ðððððððð
ð ððððððð ððððððððððð ððððð ðððð ðð ðððð
ðð ðððð ðððððð."
â ðšðŒðºð»ð¹ðšð³ð°ðšðµ ðŽðŒðºð°ðªð°ðšðµ ðŽðšð®ðšðð°ðµð¬ (2022 ð³ððð ð·ðððððððððð ð¹ððððð)
"ð°ð ððð ðððð ðððð ðð ðððð ðððð ðððððððððð ððððð
ð ðððð, ðððð ðððððð ðð 'ð«ðððð', ððð ððððð ððð ðððððð
ððð ðð ð²ðððð ð¬ðððððð ððð
ðºðððððð ð±ððð
ðð."
â ð«ð¶ðŸðµð©ð¬ðšð» ðŽðšð®ðšðð°ðµð¬ (2015 ðšðððð ð¹ððððð ðð 'ð«ðððð')
ðð¢ðð€ððð¬ ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ ððð§ ðð ððšð®ð§ð ðð: https://jazzandbluesmarket.com/events/
NáŽáŽ¡ OÊÊáŽáŽÉŽs JáŽáŽ¢áŽ¢ & BÊáŽáŽs MáŽÊáŽáŽáŽ áŽê°ê°áŽÊs WáŽÊÊáŽ
-RáŽÉŽáŽáŽ¡ÉŽáŽáŽ
& AᎡáŽÊáŽ
-WɪɎɎɪɎɢ MáŽsɪáŽÉªáŽÉŽs, NáŽáŽ¡ PÊáŽáŽÉªáŽáŽ SáŽáŽÉŽáŽ
& LɪɢÊáŽÉªÉŽÉ¢ TáŽáŽÊÉŽáŽÊáŽÉ¢ÉªáŽs, SɪɢɎáŽáŽáŽÊᎠCáŽáŽáŽáŽáŽÉªÊs & DÊɪɎáŽs, PÊɪᎠáŽáŽáŽ VáŽÊáŽáŽ PáŽÊáŽÉªÉŽÉ¢, áŽs ᎡáŽÊÊ áŽs LáŽÉ¢áŽÉŽáŽ
áŽÊÊ LɪᎠᎠPáŽÊê°áŽÊáŽáŽÉŽáŽáŽs, áŽÉŽáŽ
OáŽáŽsáŽáŽÉŽáŽ
ɪɎɢ MáŽáŽáŽÊáŽÊÊᎠExáŽáŽÊɪáŽÉŽáŽáŽs!
ðð§ ð ððð«ððð« ðð¡ðð ððšðšð€ ðð¥ð¢ð ð¡ð ð¢ð§ ðððð ð°ð¢ðð¡ ððšðŠðŠðð«ðð¢ðð¥ ðð§ð ðð«ð¢ðð¢ððð¥ ðððð¥ðð¢ðŠ, ð ð®ð¢ððð« ð¯ð¢ð«ðð®ðšð¬ðš ððððððð ðððððð ð¡ðð¬ ððšð§ð¬ð¢ð¬ððð§ðð¥ð² ðð¢ð¬ð©ð¥ðð²ðð ð ðð¡ððŠðð¥ððšð§ð¢ð ðŠð®ð¬ð¢ððð¥ ð©ðð«ð¬ðšð§ð ðšð ðšð©ðð§ð§ðð¬ð¬, ð¢ðŠðð ð¢ð§ððð¢ðšð§, ð¯ðð«ð¬ððð¢ð¥ð¢ðð² ðð§ð ðŠðð¯ðð«ð¢ðð€ ððð«ð¢ð§ð . Be it bold reinventions of classical masterpieces or soulful explorations through pop-rock hits, to blazing straight ahead jazz forays and ultramodern improvisational worksâsolo or with a groupâJordan can always be counted on to take listeners on breathless journeys into the unexpected.
ððð² ððš ððšð«ððð§âð¬ ððð¬ð-ðð«ððð€ ðððð¥ðð¢ðŠ ð°ðð¬ ð¡ð¢ð¬ ðŠðð¬ððð«ð² ðšð ð ð¬ð©ððð¢ðð¥ ðððð¡ð§ð¢ðªð®ð ðšð§ ðð¡ð ð ð®ð¢ððð«âð¬ ðð«ððððšðð«ð. Instead of conventional strumming and picking, Jordan's innovative "touch technique" is an advanced form of two-handed tapping. While a handful of other players were using similar techniques, Stanleyâs fluid, multi-layered textures and sheer virtuosity raised the bar for excellence. But his technique, though impressive, is always a means to a musical end. His music is imbued with a warmth and sensitivity that has captured the imagination of listeners worldwide. A classically trained pianist before playing guitar, Jordan wanted greater freedom in voicing chords on his guitar, so he applied piano principles to do so. Jordan's touch technique allows the guitarist to play melody and chords simultaneously with an unprecedented level of independence. It also allows Jordan to play simultaneously on two different guitars, or even on guitar and piano. ð»ð ð ððŠð ð¡âðð¡ âðŒ ð¡âððð ðð ðð¡ ðð ð ð ððððð ððð ð¡ðð¢ðððð¡, ðð¢ð¡ ððð ð€ðð¡â ð ð€ððð ððððð ðð ð¡ðððð ðððððð âð¡âðð¡âð ð€âðŠ ðŒ ðð ðð¡.â
ððš ðððð ððšð«ððð§ ð¡ðð¬ ð©ðð«ððšð«ðŠðð ð¢ð§ ðšð¯ðð« ðð ððšð®ð§ðð«ð¢ðð¬ ðšð§ ð ððšð§ðð¢ð§ðð§ðð¬. Stanley has collaborated with a diverse array of artists, including performances with Art Blakey and Richie Cole and recordings with Stanley Clarke and Kenny Rogers. The track with Rogers, "Morning Desire", became America's #1 country song in 1986. Later Jordan became a frequent guest with Les Paul during Paul's legendary Monday nights at Iridium in New York. Today Jordan performs frequently as a soloist and with his band, as well as collaborating with other guitarists such as Kevin Eubanks, Sharon Isbin and Muriel Anderson. He's also a frequent guest with jam bands such as the Dave Matthews Band, The String Cheese Incident, Phil Lesh, Moe and Umphrey's McGee.
ððšð«ððð§ ðððŠð ððš ð©ð«ðšðŠð¢ð§ðð§ðð ð°ð¢ðð¡ ðð¡ð ð«ðð¥ððð¬ð ðšð ð¡ð¢ð¬ ðððð ððšð¥ð ðð¥ðð®ðŠ "ððð ð¢ð ððšð®ðð¡", ð ð«ðð¯ðšð¥ð®ðð¢ðšð§ðð«ð² ð©ð«ðšð£ððð ðð¡ðð ð©ð¥ðððð ð¡ð¢ðŠ ðð ðð¡ð ððšð«ððð«ðšð§ð ðšð ð«ð-ð¥ðð®ð§ðð¡ð¢ð§ð ð¥ðð ðð§ððð«ð² ðð¥ð®ð ððšðð ððððšð«ðð¬ ð¢ð§ððš ð ððšð§ðððŠð©ðšð«ðð«ð² ðð§ðð¢ðð² ð¢ð§ ð£ðð³ð³ ðð§ð ððð²ðšð§ð - ðð¡ð ðð¥ðð®ðŠ ðð¥ð¬ðš ðð¬ðððð¥ð¢ð¬ð¡ðð ðð¡ð ðð¡ðð§-ðð°ðð§ðð²-ð¬ðšðŠððð¡ð¢ð§ð ððšð«ððð§ ðð¬ ððŠðšð§ð ðð¡ð ðŠðšð¬ð ðð¢ð¬ðð¢ð§ððð¢ð¯ð ðð§ð ð«ððð«ðð¬ð¡ð¢ð§ð ð§ðð° ð¯ðšð¢ððð¬ ðšð ðð¡ð ðð¥ðððð«ð¢ð ð ð®ð¢ððð«. Jordan had begun applying his unique technique to his already exemplary traditional playing ten years prior to the "Magic Touch" album. Though Jordan showcased the technique in a variety of musical styles from swing to rock, it was smooth jazz radio support for his singular versions of âThe Lady in My Lifeâ (first recorded by Michael Jackson) and the Beatlesâ âEleanor Rigbyâ that sent Magic Touch to the top of Billboardâs Jazz Chart for a stunning and record-breaking 51 weeks!
ðð®ðð¬ððªð®ðð§ð ðð¥ðð®ðŠð¬ ððšð®ð§ð ððšð«ððð§ ð®ð¬ð¡ðð«ð¢ð§ð ð¡ð¢ð¬ ðð®ðð¢ðð§ðð ð¢ð§ððš ðððð©ðð« ð¥ðð¯ðð¥ð¬ ðšð ð¡ð¢ð¬ ðð«ðð¢ð¬ðð«ð² ðð§ð ð¬ðð«ðððð¡ð¢ð§ð ð¡ð¢ð¬ ðŠð®ð¬ð¢ð ððð²ðšð§ð ð¬ðð²ð¥ð¢ð¬ðð¢ð ððšð®ð§ððð«ð¢ðð¬. These projects included a solo guitar album titled "Standards Volume 1" (1986) where Stanley made the bold statement that songs by the likes of Stevie Wonder and Jimi Hendrix deserved recognition as standards just as much as older chestnuts like Hoagy Charmichaelâs âGeorgia On My Mind.â He followed that with the dance-pop album "Flying Home" (1988) and the especially edgy "Cornucopia" (1990), which spanned the gamut from straight-ahead jazz recorded live to multi-dimensional originals recorded in the studio.
ððððð« ð¢ð§ ðððð ððððð« ð ðŠðšð¯ð ððš ðð«ð¢ð¬ðð ððððšð«ðð¬, ð¡ð ð«ðððšð«ððð ðð¡ð ðð«ððð¢ð§ð ð¥ð² ððð¥ðððð¢ð "ððšð¥ðð«ðš" ðð¥ðð®ðŠ, ððððð®ð«ð¢ð§ð ððšð¯ðð«ð¬ ðšð ððð«ðð¢ð ððð§ððšðð€'ð¬ âðð¡ððŠðð¥ððšð§,â ðð¢ðŠð¢ ððð§ðð«ð¢ð±âð¬ âðð«ð¢ððð¢ð§ð ,â ð¡ð¢ð¬ ðšð«ð¢ð ð¢ð§ðð¥ âðð¥ðððšâð¬ ðð¥ð®ðð¬â ðð§ð ðð¡ð ððâð¬ ððð§ððð«ð©ð¢ððð, ð ðð-ðŠð¢ð§ð®ðð ðð«ð«ðð§ð ððŠðð§ð ðšð ððð¯ðð¥âð¬ âððšð¥ðð«ðšâ, ð°ð¡ð¢ðð¡ ðð¥ðšð°ðð ð¬ðððŠð¥ðð¬ð¬ð¥ð² ðððð°ððð§ ð«ðšðð€, ððð«ð¢ððð§, ðððð¢ð§, âð ð«ðšðšð¯ðâ ðð§ð âð¢ð§ðð®ð¬ðð«ð¢ðð¥â ð¬ðððð¢ðšð§ð¬. ð·ð¢ðððð ð¡âðð ððð, ðœððððð ððð ð ðððð âðð ð¡ðððŠ ððŠ ððððð¡ððð ð¡âð ð ðððððð âð ð¡ððð¡ð¢ðâ ð ðð¢ðð ððð ð¡âð ðððð ð¡ ððððððð¡ððð ðð ððð€ðð ðððððð¡ðð â ððððð¢ð¡ððð .
ðð§ ðððð, ððšð«ððð§ ðð«ððððð ðð¡ð ð¬ððšð«ð ððšð« ðð§ ððð ððððð«ð§ðšðšð§ ðð ð¬ð©ððð¢ðð¥ ððððð²'ð¬ ðð¢ð«ð¥, ðð¢ð«ððððð ðð² ðð¢ðð§ð ðð²ð§ððð«. Since the mid 80s he has performed on numerous television shows, including The Tonight Show with Johnny Carson, The David Letterman Show and the GRAMMY Awards. One notable appearance was a duet on the Tonight Show with the late rock superstar Robert Palmer.
ðð§ ðððð, ððšð«ððð§ ð¬ð¢ð ð§ðð ð°ð¢ðð¡ ðððð€ ðð¯ðð§ð®ð ððððšð«ðð¬ ðð§ð ð«ðð¥ððð¬ðð "ððððð ðšð ðððð®ð«ð" ð¢ð§ ðððð ðð§ð "ð
ð«ð¢ðð§ðð¬" ð¢ð§ ðððð. For Friends, he invited musical guests including guitarists Bucky Pizzarelli, Mike Stern, Russell Malone and Charlie Hunter; violinist Regina Carter; saxophonists Kenny Garrett and Ronnie Laws; trumpeter Nicholas Payton; bassists Christian McBride and Charnett Moffett; and drummer Kenwood Dennard. The results proved truly outstanding on numbers ranging from a Bela Bartok piece to a Katy Perry pop smash, a heady original blues and three jazz classics spanning swing, cool, samba and modern.
ðð§ ðððð, ððšð«ððð§ ð«ðð¥ððð¬ðð ðð¡ð ðð¥ðð®ðŠ 'ðð®ððð¬' ð°ð¢ðð¡ ððð¯ð¢ð§ ðð®ððð§ð€ð¬ ððš ð«ðð¯ð ð«ðð¯ð¢ðð°ð¬! Jazziz Magazine stated, "An inspired, brilliantly performed ex*****on of a high-concept project featuring two of contemporary jazzâs most renowned guitarists, Kevin Eubanks and Stanley Jordan..."
ðððð§ð¥ðð² ð¢ð¬ ððšðŠðŠð¢ðððð ððš ðŠð®ð¬ð¢ð ðð¬ ðð§ ðð«ðð¢ð¬ðð¢ð, ð¬ð©ð¢ð«ð¢ðð®ðð¥, ðð§ð ðð¯ðð§ ð¡ððð¥ðð¡-ð©ð«ðšðŠðšðð¢ð§ð ðð§ðððð¯ðšð«. He has been immersed for more than a decade in music therapy. His involvement with music therapy leads him to do outreach in schools, hospitals and other venues wherever he tours. He is an artist-spokesperson for the American Music Therapy Association, and he has done numerous lectures and demonstrations on the healing applications of music.
ðð¢ðð€ððð¬ ððšð« ððšð«ð¥ð-ððð§ðšð°ð§ðð ðð±-ðððððð® ðð°ðð«ð ððšðŠð¢ð§ðððð ðð®ð¢ððð«ð¢ð¬ð & ððšðŠð©ðšð¬ðð« ððððððð ðððððð at the New Orleans Jazz & Blues Market on ðð¡ð®ð«ð¬ððð² ðð§ð ð
ð«ð¢ððð² ððððšððð« ðð & ðð ðð ð:ðð ð.ð. are NOW On-Sale on Ticketmaster, Facebook Events at: https://www.facebook.com/events/689236907443651/ (Oct 23) https://www.facebook.com/events/4140240832922503/ (Oct 24) and the New Orleans Jazz & Blues Market Website at: https://jazzandbluesmarket.com/events/list/?tribe-bar-search=Stanley+Jordan - ð«ðððð ð¶ððð 2 ð¯ðððð ðððððð ððð ðºððð!!
ðð¥ððð¬ð ððšð¥ð¥ðšð° ð®ð¬ ðšð§ ðð§ð¬ððð ð«ððŠ ðð: https://www.instagram.com/jazzbluesmarket/
ðð¥ð¥ ðšð ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ & ðð¯ðð§ðð¬ ððð§ ðð ððšð®ð§ð ðð: https://jazzandbluesmarket.com/events/ - ð¶ðŒð»ðºð»ðšðµð«ð°ðµð® 2025 ðºð¯ð¶ðŸðº ð¶ðµ-ðºðšð³ð¬ ðµð¶ðŸ!!
ðð¢ð ð§-ð®ð© ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ððŠðð¢ð¥ ððð°ð¬ð¥ððððð« ðð: www.jazzandbluesmarket.com/subscribe to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances, and much more!! Thank you!!
ððððððð ðððððð, ððððððððð ðððððð & ðððððððð. The New Orleans Jazz & Blues Market offers a spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: [email protected].
