Clementine Productions

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Clementine Productions

Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Clementine Productions, Event Videographer, Medford, MA.

12/06/2025

We had the absolute honor of covering Tufts Professor Dr. Nancy Baker's research on VR and chronic pain at the Museum of Science, Boston This is Part 1 of the video we created with them! We love translating technical stories into easy to understand bites.

11/29/2025

Happy Small Business Saturday!
Meet our newest offer:

🍊 Phone-a-Marketer

A 3-part creative brainstorm for small businesses who want help with their content, messaging, or video ideas.

1. Identify the problem
What’s your pain point? What are you trying to solve or build?

2. Offline work
Jess spends an hour writing, researching, outlining, or creating prompts based on your goals.

3. Follow-up session
We turn your ideas into an actual plan — a content calendar, shot list, script, or video brief.

About Jess:
She has experience in SaaS, cybersecurity, screenwriting, improv, music, and video production.
She’s worked with small businesses, higher ed, nonprofits, and technical teams — and she’s great at making complicated ideas clear.

DM “PHONE” for details.

10/29/2025

🏆 The 2025 Immigrant Entrepreneur Awards were a HUGE SUCCESS, and it wouldn’t have been possible without the support of our loyal and incredible sponsors:

The RMR Group
Sullivan & Worcester
The ILC Founder Diane Portnoy
Skadden, Arps, Slate, Meagher & Flom LLP
Eastern Bank
WTW
Clementine Productions
Deloitte
Goulston & Storrs
Modular Concepts
PwC

and many, many more.

Thanks to them, we were able to highlight the talent and drive of our honorees, Colette Phillips of Colette Phillips Communications, Inc. and Get Konnected! and Luiz Thomaz DaCosta of Modular Concepts, and how immigrants contribute to our economies and communities.

We’ll also be able to continue educating ~ 400 immigrants every day and providing educational resources so teachers across the U.S. can showcase the impacts of immigrants and immigration on our economy, our workforce and our nation's history.

10/06/2025

Soooo excited for this one!

10/03/2025

My fellow videographers, what’s one piece of videography equipment you can’t live without? 🎥

Here’s just a sort list of different equipment and tools I use:
Cameras & Recording (DSLRs, cinema cameras, action cameras)
Lenses & Optics (I love primes)
Lighting Equipment (LED panels, softboxes, modifiers,)
Audio Equipment (mics, recorders, wireless systems)
Camera Support (tripods, gimbals, etc.)
Storage & Backup (memory cards, hard drives)
Computer & Editing (hardware, software, monitors)

Having high quality, top-notch equipment is one of the reasons Clementine Productions’ videos look as professional as they do, and I wish to only bring the best results for every client I work with. If you want to juice up your video marketing and take it to the next level, Clementine Productions (and all of its gear!) is ready to help.

DM me to book a free 30 minute consultation today! 🍊

09/29/2025

🎥 The biggest lie you’ve probably been told about videography is that you need a big camera to be successful.

But as the single owner of a small woman-owned videography business, I use a really light camera body while shooting. I shoot with a Sony FX3, a Netflix-approved cinema grade camera. It's the same sensors as the larger body cameras with a lot less mass. I also shoot with prime lenses, which tend to be lightweight.

Here are four reasons why I like my FX3, and why resisting the pressure to have an ostentatious rig has helped me.

1. My camera setup can scale up and down.

I can go from rigged up with a cage or on a tripod, to going around handheld when in a tight situation. I film weddings, events, behind the scenes, conferences, you name it, and there are times that being attached to a tripod limits your ability to be in the right place at the right time.

2. It works for my body as a filmmaker.

I have chronic back pain and fatigue. Shoot days are really taxing on my body, so reducing how heavy my camera is keeps me safer in both the short and long term. If you have any health issues or chronic pain, lighter cameras will definitely help you out more!

3. It gives me great options for stabilization.

Stabilizing a small camera is honestly much easier and cheaper than a large camera. I use a Zhiyun crane for my stability and prime lenses, which are light enough to use on an electronic gimbal.

4. It puts my clients more at ease.

I've heard talk from different videographers in Boston who intentionally "rig out" (or attach things to their camera body) to make their clients impressed by how big their setup is. At a networking meeting, a filmmaker told me that he tries to bring in the biggest setup he can just to intimidate his clients. But nervous clients make for bad content and bad experiences, which goes against my philosophy as a videographer and a business owner.

Everyone has a different style, and leaning into yours as a filmmaker will give you a distinct voice. Be weird. Be you! That’s how you’ll really find success.
Videographer in Boston, small videography business, woman owned videography business, boston videographer, videography tips, videography advice, videography hacks, videography equipment, small business boston

08/01/2025

The One Storage Hack That’ll Save You *So* Much Time Later

You know how you open your camera roll and can’t find that great clip from last month because it’s buried under 800 screenshots, your cat, and a weird photo of a light fixture?

Yeah. Let’s fix that.

STEP 1:

📱 Make an album on your phone called “My Business Stock Footage.”
Every time you film something usable, drop it in there.
Not everything has to be edited right away—just save it so future-you can find it easily when it’s time to post.

---

STEP 2:

💻 Move your footage off your phone regularly onto a hard drive (recommended) or your laptop
Use AirDrop, Google Drive, iCloud—whatever is easiest for you.
This keeps your phone from filling up *and* gives you a better place to work from when you’re editing.

STEP 3:

📦 Back it up.
If you’re filming a lot, your computer can’t handle it forever.
Here’s what I recommend:

* 1 external hard drive (minimum)
* Cloud backup (Google Drive, Dropbox, etc.)
* Optional: a second hard drive as a duplicate, if you’re feeling responsible

STEP 4:

🗂️ Use a consistent folder structure.
Here’s mine (and yes, I use the numbers):

1_Footage
2_Projects
3_Exports
4_Documents
5_Audio
6_Music
7_Assets

Numbering the folders keeps everything clean and predictable. It also helps editing programs like Premiere know where to find your files—so you’re not re-linking stuff later because you moved it somewhere random.

STEP 5:

📁 When you download something—music, fonts, stock footage—put it in the right folder *immediately*.

No loose WAV files or pictures floating around your desktop. Your future self will thank you.

* You’ll post faster
* You’ll stay organized (even if you’re not a “techy” person)
* You’ll save money and time by reusing footage you already have

It doesn’t have to be fancy.
It just has to be consistent.

🍊📂🎥

07/31/2025

Are you a small business owner or a marketing professional looking to learn more about the technical side of video production? We offer an 8 week 1:1 training course, training you on social media best practices- from onsite consultation on your filming setup, to helping create a content calendar to discussing editing and storage workflows. 2 slots left this summer!

07/30/2025

Laying down some facts about what should make the cut when script writing a professional video!

07/28/2025

We love making videos that explain what your business does and why it’s special

07/25/2025

Don’t make a video unless you know why!

07/24/2025

🎥 WHY I DON'T NEED A BIG CAMERA -
Hi, It's Jess, the owner of Clementine Productions, and as you can see, I use a really light camera body while shooting. I shoot with a Sony FX3, a Netflix-approved cinema grade camera. It's the same sensors as the larger body cameras with a lot less mass. I also shoot with prime lenses, which tend to be lightweight.

I used to feel embarrassed about having a setup that looks like I'm just holding a digital camera, and I've heard talk from different colleagues in my field who intentionally "rig out" (or attach things to their camera body) to make their clients impressed by how big their setup is. At a networking meeting, a filmmaker told me that he tries to bring in the biggest setup he can just to intimidate his clients.

Here's why I like my FX3, and why resisting the pressure to have an ostentatious rig has helped me.

- My camera setup can scale up and down - from rigged up with a cage or on a tripod, to going around handheld when in a tight situation. I film weddings, events, behind the scenes, conferences, you name it, and there are times that being attached to a tripod limits your ability to be in the right place in the right time.
- It works for my body as a filmmaker - I have chronic back pain and fatigue. Shoot days are really taxing on my body. Reducing how heavy my camera is keeps me safe.
- It gives me great options for stabilization - Stabilizing a small camera is honestly much easier and cheaper than a large camera. I use a Zhiyun crane for my stability and prime lenses, which are light enough to use on an electronic gimbal.

Everyone has a different style, and leaning into yours as a filmmaker will give you a distinct voice. Be weird.

Address

Medford, MA
02153, 02155, 02156

Website

http://www.Clementine-productions.com/

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