Theater, Dance & Media, Harvard University

Theater, Dance & Media, Harvard University Harvard's newest concentration focusing on theory and practice in theater, dance and media

Harvard's newest concentration focusing on the intersections of theory and practice in the areas of theater, dance, and media.

Alumni Update alert! Madi Fabber ’22 is writing plays and making art in NYC. She recently debuted her play 'crabby' in t...
08/28/2025

Alumni Update alert! Madi Fabber ’22 is writing plays and making art in NYC. She recently debuted her play 'crabby' in this year's Ars Nova ANT Fest. Here's Madi with the wonderful cast and crew of 'crabby!' She also had a reading of her play 'HOUSE' on August 5th @ 8pm at The Flea. Sometimes, she writes plays with longer than one-word titles and proper capitalization, but you'll have to follow her for updates on those. You can find Madi on Instagram at or on her website at madifabber.com

Alumni Update alert! Landy Erlick ’19 is a screenwriter in Los Angeles. One of her first jobs after graduating was worki...
08/26/2025

Alumni Update alert! Landy Erlick ’19 is a screenwriter in Los Angeles. One of her first jobs after graduating was working as the writer’s assistant on Wicked: Part One and Wicked: For Good. Since then, she has developed a television series with Paramount TV/CBS Studios, and she has two original films in development. Here she is at the Los Angeles premiere of Wicked! You can find Landy on Instagram at

Alumni Update alert! Jonathan Castillo ’21 just moved to Chicago after living in Austin for the past four years! In Aust...
08/20/2025

Alumni Update alert! Jonathan Castillo ’21 just moved to Chicago after living in Austin for the past four years! In Austin, Jonathan’s work consisted of acting as Le Bret in Cyrano (pictured here), writing and directing In The Space of______ for Fronterafest, sound designing for Spear in Corrib theatre, and more. You can find Jonathan on Instagram at

Photo credit:

Alumni Update alert! Aislinn Brophy ’17 is writing and making theatre in Boston. Their most recent YA novel, Spells to F...
08/19/2025

Alumni Update alert! Aislinn Brophy ’17 is writing and making theatre in Boston. Their most recent YA novel, Spells to Forget Us, was published last September; it was nominated for an Ignyte Award for Outstanding Novel: Young Adult, long-listed for a Massachusetts Book Award, and chosen as a finalist for the New England Book Awards. This past summer, Aislinn’s writing has been supported by the Highlights Foundation and the Camp Stomping Ground Artist-in-Residence Program. Aislinn also had the pleasure of participating in Fresh Ink’s 10th Annual Mad Dash this year as a playwright! You can find Aislinn on Instagram at or on their website at aislinnbrophy.com

It’s time for our next summer faculty spotlight — Lecturer in Physical Theater Kate Brehm! Back in July, Kate was invite...
08/19/2025

It’s time for our next summer faculty spotlight — Lecturer in Physical Theater Kate Brehm! Back in July, Kate was invited to do a p**f puppet performance at 5Myles Gallery alongside Hanne Tierney. The p**fs are nondescript puppet objects which confound reason. HuffPost once described them as “human-sized tunicate-like puppets capable of a surprising amount of humor and poignancy.”

Kate also has written a chapter for an upcoming puppetry book, which will be released later this month. The essay is called “Phenomena Puppetry” and will be appearing in “Making Meaning in Puppetry - Materials, Practice Perception”, which was edited by Dassia N. Posner, Claudia Orenstein, and Alissa Mello. Congratulations Kate!

Alumni Update alert! Gregory Lipson ’20 is a ticketing manager at Insight Tix where he does ticket pricing for Broadway ...
08/14/2025

Alumni Update alert! Gregory Lipson ’20 is a ticketing manager at Insight Tix where he does ticket pricing for Broadway shows and national tours including Hamilton, MJ, and Dead Outlaw. Here’s Gregory in his office with the Hamilton 2025 Pride fan! In his spare time, he directs shows around NYC. Check out more of Gregory’s work at gregorylipson.com

08/12/2025

Meet Jay Stull and EllaRose Chary, who are co-teaching TDM 195HT: Making Horizontal Theater: Collaborative Playwriting and Songwriting Made from Interviews!

TDM 150VT: Your Responsive Eye: Visual Thinking and Creation for Theatermakers is an exciting new course from Jeff Adelb...
08/10/2025

TDM 150VT: Your Responsive Eye: Visual Thinking and Creation for Theatermakers is an exciting new course from Jeff Adelberg on an essential topic for performance artists!

This course is about seeing and making, because theatre, dance, and media artists of all kinds must think visually with the same depth and precision they bring to text, story, and music. We begin by examining how the eye and brain interact—how we perceive, process, and assign meaning to visual information. From there, we will develop a rich vocabulary of visual design concepts, exploring how form and content shape attention, emotion, and narrative.

On stage, the visual world must be treated as an active force in storytelling, as essential as the play itself. Through analysis, discussion, and hands-on exploration, we will train our responsive eye to see more deeply and create with intentionality. Drawing from nature, visual arts, media, architecture, everyday experience, and our individual and collective imaginations, we will compose striking, meaningful visuals and explore how they might evolve into theatrical environments. Scenery, costumes, light, projections/video, and movement will all be considered.

By the end of the course, students will have developed a nuanced visual vocabulary, enabling them to craft onstage worlds where form and meaning converge to create striking, evocative experiences.

Here's an exciting new course happening this semester—TDM 157PL: Backstage Blueprint: Operational Strategy & Production ...
08/10/2025

Here's an exciting new course happening this semester—TDM 157PL: Backstage Blueprint: Operational Strategy & Production Leadership in Theater! Students, are you searching for a place to help you build the skillsets that will let you confidently manage a production team and work together with creatives, performers, and production staff? Enroll in TDM 157PL!

This course delves into the core elements of technical theater management, focusing on operational strategy, backstage infrastructure, and effective leadership. Students will gain practical knowledge in areas such as stage management, lighting, sound, technical direction, costumes, automation, and production coordination while also developing the language and communication strategies essential for managing teams and collaborating with creatives, performers, and production staff. Topics include backstage operations, managing production logistics, coordinating meetings, and problem-solving in live environments. Whether you're managing a production team or navigating complex technical systems, this course prepares you to drive successful productions with confidence and precision.

Join Ali Kenner Brodsky and Andy Russ for this semester's dance production studio! Our production studios are courses th...
08/09/2025

Join Ali Kenner Brodsky and Andy Russ for this semester's dance production studio! Our production studios are courses that frame and focus on TDM's professionally directed, choreographed, and designed productions each term. Students assume major artistic roles, such as dancers, choreographers, designers or dramaturgs.

ABOUT ODD COUPLE: THE DANCING BODY IN THE DIGITAL WORLD

Dance is the creative expression of bodies in space and time - a centuries old art form of immediacy and feeling. Interestingly, as our lives become more digitized and removed from IRL reality, dance has gained a “new life” in the virtual world, through videos on social media and streaming platforms. As stages are swapped for smartphones, what changes can be felt, for choreographers, performers and audiences? How are the experiences of attention, agency, effort, empathy, space and time different in both mediums? And perhaps most interestingly, what happens when the worlds collide, and video technology “invades” the physical stage?

In this course, we will be examining these questions through an historical survey of dance in media, and direct embodied research, manifesting as weekly choreographic experiments. Starting from a place of no particular presumed movement experience (ie. this class is equally for the ballet pro, breakdance influencer, and living room dancing queen) we will be investigating and inventing various methods of making, with and without technology. We will learn various techniques of capture (cameras) and display (monitors and projectors), which in turn will lead to experiments with incorporating video back into live performance. The culmination of the course will be an original multimedia public performance event, co-created with lecturers, Ali and Andy.

In Singer + Song = Story, Stew is inviting students interested in writing songs and scenes to experiment with a unique a...
08/09/2025

In Singer + Song = Story, Stew is inviting students interested in writing songs and scenes to experiment with a unique approach to musical theater making, in a course which injects personally-political, free-spirited, DIY, Punk practices into the process of musical theater making. All this is done with an aim to shake up the show-tune and mess with the well-made-musical.

Magic carpets, glittering pagodas, harem fantasies... Orientalism dominated Europe's creative landscape and imagination ...
08/08/2025

Magic carpets, glittering pagodas, harem fantasies... Orientalism dominated Europe's creative landscape and imagination since the 1700s, but what purpose did it serve? TDM 174PO: Performing the Orient will explore over 300 years of "exotic" portrayals of "Orientals" on the Western ballet and opera stages, and geopolitics that impacted how we view Asian people and cultures to this day: from Genghis Khan, the O***m Wars, Chinese Exclusion, to Japanese Internment and . The course will also examine the creative process of shifting a Eurocentric work of art for a multiracial audience and provide practical frameworks for how to create art outside of your own cultural experience.

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12 Holyoke Street
Cambridge, MA
02138

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