DJ DA VINCI : RENAISSANCE NOIZ

DJ DA VINCI : RENAISSANCE NOIZ With 15+ years in audio engineering and live events, I craft seamless, customized DJ experiences for corporate events, weddings and nightlife.

I bring technical skill, musical knowledge, and attention to detail to make every event run smoothly. Look for quality, experience and a strong passion for all styles of music. Many, not all DJs tend to go through the motions and play the same format most of the time. Personalization and attention to detail is where I thrive. You get what you pay for, so if the price seems a bit low, there is prob

ably a reason for that. There will always be someone willing to do it cheaper and claim to be able to offer the same thing; it’s rarely true. You're paying for the many years of experience, not the few hours of an event. I personally like to show up AT LEAST 2 hours before any event, especially if it's somewhere I have not been before. Planning for the unexpected is key, so having that extra time will ensure success every time and will leave little to no room for error.

Commercial audio is where preparation meets problem-solving.Available for commercial, branded, and production audio work...
04/01/2026

Commercial audio is where preparation meets problem-solving.

Available for commercial, branded, and production audio work.

I served as the Audio Recording & Playback Engineer for a two-day commercial shoot for Comcast, produced by VaynerMedia & Eva Nosidam Productions.

The project was part of Comcast Presents: Redefining Connectivity, a social-first campaign using music as a metaphor to explain concepts like latency, reliability, & speed.

The shoot centered around a studio pianist, w/ audio captured direct out from the grand piano rather than via microphones to maintain both aesthetic & sonic control. This required precise sync w/ video, timecode awareness, & consistency across hundreds of takes.

During rehearsal, timing & performance challenges emerged due to the musical composition & its relationship to visual pacing. While outside the original scope of my role, I worked closely with the composers and production team to establish a repeatable performance workflow that allowed takes to remain consistent & editorially usable.

In addition to live recording & playback, I also handled detailed take-sheet notes to support post-production & editorial selection.

This was my first full-scale commercial shoot — and a great reminder that strong audio engineering is just as much about listening, adapting, & collaborating as it is about the gear.

Grateful for teams that trust collaboration and problem-solving on set.
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AV that supports the message, not the distractions.I recently provided full AV production for Tactile Talks Forum: Tangi...
03/18/2026

AV that supports the message, not the distractions.

I recently provided full AV production for Tactile Talks Forum: Tangible Symbols Together, hosted by Adaptive Design Association in Manhattan, NY.

This was a hybrid event bringing together an in-person audience along with over 90 virtual attendees — all united by the belief that everyone deserves access to communication.

With a tight timeline, limited budget, and no direct ethernet access in the room, the goal was simple but critical: make it seamless.

I handled:
• Audio for presentations + live Q&A
• Video + visual playback
• Zoom integration w/ remote participants + presenters
• Live recording (audio + video)
• On-site troubleshooting + operation of event
• Pre-event planning, equipment rentals + scope breakdowns

Despite last-minute logistics and infrastructure challenges, the event ran smoothly, engagement stayed high, and the team's feedback was above and beyond.

This is the kind of work I’m most proud of — supporting meaningful conversations with production that just works.

Because when it’s done right, no one notices the tech, only the conversation.
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Now booking AV & hybrid production for panels, forums, and corporate events.

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Brooklyn, NY

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