Stage 33 Live

Stage 33 Live Stage 33 Live is a 40-seat listening room that documents live performances and presentations. It’s about honoring the stage. That one thing. That’s not us.

Stage 33 Live is a welcoming, casual, scrappy (but well-mannered) nonprofit listening room in an industrial-rustic former factory with 40 folding chairs, run by chipper upstart adult volunteers on an island in the rural Vermont village of Bellows Falls on the Connecticut River bordering New Hampshire. Only original material written by the performers themselves is allowed. The room has mostly defin

ed itself as an acoustic folk/Americana singer-songwriter place, but we run jazz, pop, spoken word, rock, and more. Best way to be in the loop about what and when things are happening is to sign up for the email newsletter. Imagine a state-of-the-art, million-dollar performance center… got it? We’re also not a bar, club, or restaurant. But we’re not savages either – there’s coffee, soda, water, and snacks by donation. So many details: www.stage33live.com

https://stage33live.com/podcast/
08/22/2025

https://stage33live.com/podcast/

The Stage 33 Live podcast is coming in both audio and video formats to your favorite places. The first full episode drops on September 16, 2025.   Stage 33 Live Podcast (VIDEO) Stage 33 Live Podcast (AUDIO) Stage 33 Live | RSS.com Video platforms: Some of the audio platforms:     Stage 33 Live is...

08/22/2025

The Stage 33 Live podcast is coming in both audio and video formats to your favorite platforms.

Stage 33 Live is a nonprofit DIY listening room with a throwback vibe in an industrial-rustic former factory with 40 seats on an island in the rural Vermont village of Bellows Falls on the Connecticut River bordering New Hampshire, run entirely by volunteers.

We’re the middle path between the high quality of a classy performance center but without the swank, and the relaxed comfort of a welcoming little dive pub but without the bar.

The room has mostly defined itself as an acoustic singer-songwriter place, but we also run jazz, pop, spoken word, rock, and more.

Only original material that the performer has copyright to is allowed, or material from the public domain. All the ticket money goes to the performers.

Primarily featuring regional, local, and national emerging talent, we’re for people who thrive on discovery and revel in the immersion of connecting deeply with performances in an intimate setting.

The podcast assembles live-performance clips — one-and-done and warts and all — from the Stage 33 Live video archive, each episode gathered casually around a loose theme.

New episodes come out on the third Thursday of every month in both audio and video formats on your favorite platform. For more information about everything, see our uncomfortably dense website at www.stage33live.com

The Friends of Studio Cat Corduroy, an ad-hoc subgroup of reasonably fine artist Charlie Hunter's social media dynasty, are sponsoring this season in memory of Corduroy — an enthusiastic, if opinionated, participant in our goings-on.

** All performers have copyright in the material they performed, and they have directly granted us performance, mechanical, and synchronization rights by signature. Performance Rights Organization and Mechanical / Synchronization Licensing Agent affiliate contracts are non-exclusive, and rights-holders can directly grant these rights.

08/21/2025

A pair of exceptional performing songwriters will play a 3:00 matinee at Stage 33 Live on September 7, 2025. Tickets are $20 in advance through stage33live.com or at the door as available. Advance tickets guarantee entry. Only 40 tickets will be sold.

Phil Henry is a singer-songwriter steeped in folk tradition, but not bound by it. He’s penned a treasure chest of relatable tunes about both everyday and extraordinary life, building detailed worlds and characters with vivid imagery, upbeat rhythm, and strong melodic sensibility. His songs are often described in cinematic terms by journalists and fans. Although he studied the masters in music school, he was drawn to the DIY pluckiness of folk music. He’s earned contest wins at SolarFest and Susquehanna Music and Arts, and showcase and main stage slots at Falcon Ridge, was showcased at Kerrville and the NorthEast Regional Folk Alliance, and has played celebrated venues like Club Passim and Caffe Lena. No carbon-copy of popular songs or folk radio, his art is an expression of individuality and craftsmanship.

Erin Ash Sullivan was half of the folk duo Edith O. along with Amy Speace in New York City in the ’90s. They performed regularly at NYC venues like the Bitter End and CBGB Gallery, and released the album Tattooed Queen in 1998 to critical raves. It’s possible that the band broke up when Erin — a sleep-deprived mother of a six-week-old — forgot to show up for the band’s record release show. After a hiatus to focus on her family and career in education, she returned to writing and performing. In 2022 she was selected as a “Most Wanted” performer from Grassy Hill Emerging Artist Showcase at the Falcon Ridge Folk Festival, and was John Platt’s selection for the Folk DJ Showcase at NERFA. She was the recipient of the Mark Erelli Judge’s Choice Award in the New England Songwriting Competition; a Songwriter Serenade semifinalist; a finalist in the 2021 Rose Garden Performing Songwriter Competition; and a finalist in the 2021 Mid-Atlantic Song Contest. She is also the three-time winner of her hometown’s Fourth of July pie eating contest.

08/20/2025

A haunting song about a casino from an outstanding show back in 2019. Six years later, they'll be back in April.

Tracy Grammer, called “one of the finest pure musicians in folkdom” by the Boston Globe, is known for her soothing vocals, spirited fiddle, entertaining stories, and punchy, intricate guitar work. A one-time member of Joan Baez’s band, she has traveled throughout North America, Europe, and Japan playing her own songs while also paying tribute to beloved songwriter Dave Carter, with whom she performed and recorded from 1996 until his sudden death in 2002.

Jim Henry is an accomplished singer, songwriter, producer, and one of folk and Americana’s go-to multi-instrumentalists. He was recently on the road for three years with Grammy-winner Mary Chapin Carpenter. His arsenal includes acoustic and electric guitars, Dobro, and mandolin, and his trademark ambient textures and sparkling solos can be heard on literally hundreds of songwriter albums.

Grammer & Henry are an exquisite pairing. Impeccable musicianship, perfect harmonies, and all the chemistry and banter you’d expect from musicians who have been touring and playing around the world together for over 20 years.

They will perform on Saturday, April 11, 2026, in a 3:00 matinee show at Stage 33 Live in Bellows Falls, Vermont. Carling Berkhout will open. Tickets are a discounted $20 in advance through stage33live.com, or $25 at the door as available. Advance tickets guarantee entry. Only 40 tickets will be sold.

Carling Berkhout will open. Her dad has roots as a folkie songster, and her mom as a symphonic cellist. When she was a child, she played Beatles songs backward in her friend’s rabbit-themed bedroom that the two believed was haunted. She continues to both unravel and glue together her life’s complicated musical threads in a sonic world that exists somewhere between bedroom rock and the dynamic balance of a David Rawlings & Gillian Welch record.

Phil Henry recording an in-studio for WOOL-FM with Evan in advance of the Sept 7 show here with Erin Ash Sullivan.
08/18/2025

Phil Henry recording an in-studio for WOOL-FM with Evan in advance of the Sept 7 show here with Erin Ash Sullivan.

08/13/2025

Final damage report from the drive crash is that we have to redo 75 individual songs (audio and video) across half of the episodes, and a bunch of the voiceover.

All the raw performance documentation is safe, we just lost the work we'd done.

Most of the finished podcast files were also lost, but that's final-step assembly stuff and actually isn't much work... comparatively.

08/11/2025

Allow us to geek out briefly.

We find ourselves in possession of a pair of pretty good 8-channel Dsub-to-TRS short snakes that used to be in the fabled Fort Apache recording studio! Kewl.

If we patch 'em into the splitter aux-outs, then we're just a cheap pass-through patchbay and a cheap 20' TRS(M)-to-XLR(M) 16-channel snake (less than a couple hundred bucks all-in) away from having 16 discrete sends for a dedicated stream mix.

We don't have anybody to actually run a stream mix - yet anyway - but having infrastructure in place is 90% of the battle. It's possible that we could maybe get things dialed in pretty close during soundcheck and go with a set-and-forget, hoping for the best.

Next step would be getting the cameras and switcher (already in hand) plug-and-play ready... get HDMI lines in place, get a generic switcher macro settled. Probably go with a four-camera stream. The switcher macro would change the camera angles automatically.

So in theory it could be easy... but nothing is ever easy.

08/10/2025

Remixed and recut, our excellent pals The Milkhouse Heaters from the middle of 2022 during the long reopening from the Covid lockdown after an achingly long stretch of cancelled shows, and in the midst of shows being cancelled for performer illness. Masks were still mandated for audiences. We've got it in our heads that this song was still new at the time, and that this was one of the first public performances. Could be wrong about that though.

Wait, what? Sorta true. Thanks anyway AI article generator! We'll take it.
08/10/2025

Wait, what? Sorta true. Thanks anyway AI article generator! We'll take it.

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33 Bridge Street
Bellows Falls, VT
05101

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Our Story

Stage 33 Live documents performances and presentations on a simple stage in a former factory building for downstream web, radio, and TV audiences. Most sessions are also public listening events with admission by donation.

Only original material is allowed.

We do this to help passionately creative and knowledgeable local and regional community members find ears and eyes on multiple platforms. Established performers and presenters are also welcome; their participation helps bring attention to others still getting their foot in the door.

Our listening events turn the band-in-a-bar ethos upside-down: We’re all about honoring the stage — not sticking it in the corner and talking over it, or using it as an add-on to get people through the door to sell them drinks and food. (Not that there’s anything inherently wrong with that; it’s just not what we do.)