Dythlan

19/06/2026

RIP, thank you for the music

(PL/EN): Niestety, dotarła do nas smutna wiadomość. Odszedł Paweł Kmiecik, twórca projektu WIELORYB ...
Chociaż nasze drogi wydawniczo przecięły się dość późno, to znaliśmy się od wielu lat; często przecinały się nasze drogi na różnych wydarzeniach muzycznych, spotykaliśmy się przy różnych okazjach w Trójmieście i okolicach. Pawła wspominać będziemy zawsze, jako niezwykle kreatywnego, odważnego i niepokornego artystę, który dla wielu z nas, stanowił wzór i inspirację. Będziemy go również wspominać jako niezwykle otwartego, życzliwego i serdecznego kolegę. To bez wątpienia ogromny cios i ból dla jego najbliższych i rodziny, której składamy najszczersze kondolencje. To też wielki smutek i strata dla sceny, której niewątpliwie Paweł był ważną częścią. Jeszcze tyle miało się wydarzyć... Bardzo będzie nam Ciebie brakowało tutaj, Paweł . Graj i działaj tam, gdzie dzisiaj kroczysz. Dziękujemy Ci za wszystko! Do zobaczenia po drugiej stronie... RIP.
EN: Unfortunately, we've just received sad news. Paweł Kmiecik, the founder of WIELORYB - the rhythmic noise project, has passed away. Although our publishing paths didn't cross until late in the game, we'd known each other for years; our paths often crossed at events and we'd meet on various occasions around the Tricity area. We'll always remember Paweł as an incredibly creative, brave, and rebellious artist who served as a role model and inspiration for many of us. We'll also remember him as an incredibly open-minded, kind, and good friend. This is undoubtedly a huge blow and pain for his loved ones and family, to whom we offer our sincerest condolences. It's also a great sadness and loss for the scene, of which he was undoubtedly an important part. So much was still to come... We'll miss you here, Paweł. Keep playing and working wherever you are today. Thank you for everything! See you on the other side... RIP

17/05/2026

It's here, I've been waiting so many years for this release on YB70

https://yb70.bandcamp.com/album/concentrated-hell-yb70-14

Thank you for releasing this!

10 track album

01/05/2026

25 years and the new music sounds incredible!!!

See you all at Bring the Noise - New Forms of Hands Music edition HANDS

23/04/2026

At the airport on my way to FORMS OF HANDS 25 Jubilee Edition and Fred is accompanying me in spirit!!

All over the black hoodie!!

18/04/2026

7 years since the last release! A criminally under played band!!!

We're happy to announce the new album “Underrated” to be released on 24th April 2026. This 17-track album is a milestone and offers powerful rhythms with distorted sounds for the industrial dancefloor. It's available on cd and digital on HANDS bandcamp. Pre-sale starts today.

. Underrated . cd /digital . HANDS D337
cd in Hands Paper Pack

Long interims between releases have always been part of ’s trajectory. Since their HANDS debut “FM Interface” and its successor “Overload”, the Leipzig project has never rushed to follow trends or fill catalogues. Instead, Frequen-C and DrMOllE have allowed their particular strain of analogue rhythm'n'noise to evolve gradually through live performances and experimentation. With the cheekily titled “Underrated”, they return once again with a milestone that further refines their distinct machine-driven aesthetic.

At its core, the album embraces a stripped-down classic industrial sound. Analogue circuitry hums and vibrates beneath the surface, producing fuzzy low-end rumbles and piercing high-frequency signals that intertwine to form the album’s rhythmic backbone. Conventional bass drums are largely absent; instead, rhythm emerges from the interaction of electrical pulses, resonant bass movements and shifting noise patterns. The result is a sound that feels mechanically fluid, where repetition forms structure and structure generates momentum. Operating in a flexible midtempo range, the tracks constantly shift their internal dynamics. Subtle shifts in velocity, pressure and density keep the material in motion without building toward predictable climaxes. Noise and rhythm are not treated as separate layers but as two states of the same material. Pieces such as “Movement”, “Uninspired” or the title track reveal a more direct momentum that DJs might pick up on, while the “Sequenced” chapters or “Transistor” venture into more demanding territory, unfolding like studies in analogue machine processes.

That said, “Underrated” unfolds best as a continuous listening experience. Its appeal lies in precision and restraint - a form of understated (and potentially underrated) craftsmanship that rewards attention over time. refine the interplay of repetition and controlled sonic pressure, reaffirming their place within the HANDS roster.

Tracklist:
01 Sequenced Part 1
02 Movement
03 Rotations
04 Pestilence
05 Dawn
06 Disorder
07 Trip
08 Crossing
09 Transistor
10 Traces
11 Underrated
12 Fandom
13 Sequenced Part 2
14 Dark City
15 Uninspired
16 Unknown
17 Sequenced Part 3

17/04/2026

The master Ah Cama-Sotz is back with a bang!!

We're over the moon to announce the new forthcoming Ah Cama-Sotz album “Urban Pulse” on HANDS. The new masterpiece by Herman Klapholz will be released on limited transparent blood-red vinyl and on cd on 24th April 2026. It's available on cd and digital on HANDS bandcamp. Pre-sale starts today.7

AH CAMA-SOTZ . Urban Pulse . limited lp/ cd/ digital
lp limited to 300 copies transparent blood-red vinyl . HANDS V089
cd in Hands Paper Pack . HANDS D339

Emerging from the ever-shifting continuum of AH CAMA-SOTZ’ work, “Urban Pulses” refines the movement at its very core. Across decades, Herman Klapholz has shaped a body of work rooted in ritual atmospheres, psychological depth and rhythmic transformation; here, these elements appear distilled to their bare function. Rhythm no longer erupts nor guides toward catharsis - it persists, steady and nocturnal, unfolding as environment. The new album on HANDS inhabits urban night spaces where motion seems without limit, suspended between control and immersion, carrying the unmistakable presence of AH CAMA-SOTZ while shifting its centre of gravity. Presented as a limited edition of 300 copies on transparent blood-red vinyl, the album’s physical form mirrors its nocturnal character, emphasizing the six core pieces as the defining statement.

Concept:
The year is 2197. Global population: 11.2 billion. The streets throb to a synthetic heartbeat - faint, mechanical, omnipresent. Data surges through veins of fiberglass and concrete while power grids hum lullabies to the rich. Above, sky towers blink in rhythm, each beat a reminder: obey, consume, repeat. Beneath the glimmer, lives flicker. Citizens shuffle along mag-rails, chipped, tracked, fed neural ads directly into their cortex. There’s no sky, only screens. No stars - just surveillance. Curfews aren’t enforced by sirens anymore; they’re triggered by emotion scans. Cry too loud, dream too long, and you’re recalibrated. Resistance is a whisper. Hidden rooms where old music plays. Rusted cables carrying illegal signals. The city has a pulse. But so does revolution.

Essence:
Across its six core pieces, “Urban Pulses” unfolds with restraint. Repeiton becomes the
primary force, pulses circling with pa:ent insistence, forming structures that feel architectural. The rhythmic language recalls the physical presence long inherent to AH CAMA-SOTZ, yet avoids confrontation; pressure replaces aggression, continuity replaces climax. At times the mechanical framework briefly reveals its industrial ancestry, while elsewhere the motion recedes into deeper atmospheric spaces, allowing shadow and resonance to surface. What emerges is a state in which rhythm itself becomes environment.

Addendum (CD / digital bonus tracks accompanying the vinyl edition):
The four accompanying pieces expand this perspective without dissolving the tension. Here, the underlying pulse occasionally steps closer to the surface, revealing a more immediate physical clarity and functional directness. Yet even in these more accessible moments, AH CAMA-SOTZ resists resolution; the motion remains measured, introspective, and detached. Rather than extending the album outward, these tracks illuminate alternate angles of the same shadowed environment.

Conclusion:
“Urban Pulses” subtly repositions the axis of AH CAMA-SOTZ, allowing rhythm to assume the role once held by ritual and narrative. It is a transformation that absorbs the past, unfolding in a state of motion that never fully resolves. As the pulse recedes, what remains is a lingering sensation - unmistakably AH CAMA-SOTZ.

Available as 10-track CD and limited 6-track LP in transparent blood-red vinyl with full 10-track digital download.

Tracklist:
01 Echoes of the Night
02 Urban Nocturne
03 Process Unknown
04 Flesh Code
05 Sector 13
06 Ghost Control
07 Midnight Vibe
08 City Without Limits
09 Overheat
10 Dust & Light

16/04/2026

Sheesh!!! Amazing work Sans Fin

We're happy to announce today the new Sans-fin album “Grises Images” to be released on 24th April 2026. SANS-FIN delivers a focused and uncompromising 10-track industrial techno album. Repetition turns into propulsion, restraint sharpens impact, and within the grey spectrum even the smallest shifts hit with lasting force. It's available on cd and digital on HANDS bandcamp. Pre-sale starts today.

SANS-FIN . Grises Images . cd /digital . HANDS D336
cd in Hands Paper Pack

Across their previous three releases for HANDS, SANS-FIN have steadily narrowed their sonic vocabulary, shaping a language defined by restraint and control. “Grises Images” captures this development at a point of heightened focus, where sound is reduced to essential gesture and repetition defines structure. The title evokes images drained of color, hovering between recollection and blurred presence. Working within this monochrome space, SANS-FIN emphasize gradual transformation over sharp contrast. Subtle shifts in texture and pressure alter emotional weight, allowing atmosphere to emerge through accumulation.

Rigid rhythmic patterns form the backbone of the record. Metallic pulses, abrasive surfaces and tightly looped sequences create steady physical pressure, drawing the listener into a dense, continuous flow. Each piece connects seamlessly to the next, fragments of a larger surface shaped through consistency and discipline.

Two tendencies subtly surface within this framework. One direction strengthens the industrial rechno rhythmic aspect, grounded in weight and mechanical insistence; another moves toward a more unstable and threatening openness, where tension expands and spatial depth becomes palpable. Together they define the album’s internal dynamics while maintaining its unified character. Stromtod’s reinterpretation condenses this energy into a sharper, more forceful form. Hardened percussion and compressed dynamics shift the material toward direct, floor-oriented intensity while preserving its stark tonal identity.

With “Grises Images”, SANS-FIN deliver a focused and uncompromising industrial techno work. Repetition turns into propulsion, restraint sharpens impact, and within the grey spectrum even the smallest shifts hit with lasting force.

Tracklist:
01 Pluie
02 Mélancolique
03 Tromperie
04 Des Cris Silencieux
05 Opacification
06 Forcer
07 Partir
08 Nuageux
09 Lumière Chatoyante
10 Mélancolique (Stromtod Remix)