23/09/2025
Some exciting news from poet Troy Cabida!
He's launching a brand new poetry collection, Neon Manila - an exploration of the q***r Filipino body in all of its skin and glitter 🪩
Looking at pop music, fashion, jewellery, dating mishaps, and everyday London life, the poems in this collection seek a better grasp of the relationships we build with ourselves.
Neon Manila will be published on 30th October 2025, available from Nine Arches Press for just £11.99
🎨 Cover artwork by Kulay Labitigan
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‘Neon Manila is a brilliant lyrical exploration of what it means to exist in a q***r brown body. The poetry moves between fashion, Freud and family with ease, grace and insight. A powerful debut by a poet who is definitely one to watch.’ - Nathalie Teitler
‘Troy Cabida’s stunning debut takes the idea of vulnerability within a poem and repackages a new world where ‘grief [is] turned tactile, thus breakable.’ I love how Cabida constantly surprises: an image of light on sunglasses ‘like sun against a skyscraper’. Neon Manila is a beautiful, tender elegy for intimacy.’ - Joe Carrick-Varty
‘In poems that both haunt and delight with all their restless perception, Neon Manila navigates the glittery maze in which notions of brownness and desirability, q***rness and hospitality, intermingle, quarrel, roil, and romp.’ - Chen Chen
‘Like the electric glow in its title, Neon Manila is a sharp light against a dark backdrop. The poems illuminate in their flirtatious ways of dressing & un******ng, revealing the brown boy self, silhouetted, accessorized, winterized, muscular, vulnerable.’ - Joseph Legaspi
‘An entirely moving collection exploring the fullness of materiality and being. Here is the body rendered weighted and weightless, dressed and naked.’ - Rachel Long
‘Neon Manila is a captivating and slim read, and the voice Cabida introduces in these poems blend the vibrant prominence of neon with manilla’s imprintable mundanity. With all its sardonicism, its ethic of referentiality, and its full-throated desire, I recommend this book to you.’ - Oluwaseun Olayiwola