John Bongo

John Bongo As a quiet kid, drawing pictures of birds was about as exciting as things got. He'd never seen anything like it. The switch was thrown forever.
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Established, multi-genre DJ, specialising in the iconic pop genres: Funk & Soul, Disco, Post-disco & Boogie, Classic Rock, Classic House & Trance, Swamp Funk, '80s Electro, UK Pub Rock & New Wave, '60 Pop, Mod, Groove & Beat, Reggae, Ska & Dub, Worldbeat Not a lot changed until, at the tender and impressionable age of 14, John Bongo finally arrived at the weekly teens disco at the local pub - a pl

ace he figured he'd have zero interest in - and had been vigorously trying to duck out of being dragged to for months - much to his mates frustrations. So, on this hot Tuesday night in June 1979, the doors burst open, and a solid wall of unbelievably loud music and strobe lights almost knocking him to the floor, and a crazy, hot 'n' sweaty crowd filling the dance floor. The shock to the system almost made him turn on his heel and make an escape - but the sheer excitement kept him there. It was at that moment all the elements in the musical cosmos came together, fusing the nervous excitement, the teenage energy, the thumping music and synchronised dance floor disco lights. In that instant, he became totally hooked on the energy of this place, the dancers, and the music that fuelled it all. The quiet kid was instantly intoxicated by the vibe, and the DJ, a very cool-looking guy by the stage name of Buddie Holley, who sat at the helm of this incredible Disco Starship, high up, overlooking the dance floor. He played the records that generated the energy, and - in that moment - that's what John Bongo realised he wanted to do. He stood with eyes on stalks, watching the dancers - these were top movers - surrounded by a densely-packed wall of other kids watching in awe, their faces illuminated by the 'Saturday Night Fever'-style dance floor; Kev S and Rocker Rowsell with their hops and 'drops' borrowed from energetic northern soul moves, giving it all to Arthur Conley's Funky Street; disco 'smoothies' with magic black slip-on shoes and white socks, gliding effortlessly across the floor to Earth Wind & Fire's Boogie Wonderland or Jackson's Don't Stop 'til You Get Enough. He loved it all and couldn't get enough. From that point on, needless to say, a Tuesday night was never missed. Since then, he's been lucky enough to have played this beautiful form of dance music at all kinds of amazing events, including celebrations, festivals, corporate bashes, and private parties. He still gets the same buzz that he got when he first tumbled through that door into that hot, sweaty teenage disco. There's a simple equation... music with rhythm and groove is the fuel that ignites a primitive urge causing people to relax, let themselves go, and move their bodies to the music. This is what JB strives to recreate when he plays - whether it's a handful of people on a tiny dance-floor, or a field-full of festival-goers. There's little doubt that nostalgia has to play a big part of his love for soul, funk and disco, but it's artistry and connection with dance and togetherness is the big pull. It's never more powerful or vibrant than when you see it accompanied by dance, the two working together, influencing the DJ's track choices, or a band's energy. There's no other genre of music that can create such a powerful electric buzz at a party. It's high production values and the talents of the vocalists and musicians involved, ensure not only that it survives, but continues to thrive, with new artists emerging, creating exciting new sounds. It's influence on modern music has never been stronger than now. So that’s how John Bongo came to do this crazy thing. To be able to give as much fun and good vibes, and get the same back, is certainly a great trade, and a blessing. And finally... his dream is for clubs to be opened (and reopened) throughout the country, where young guys and gals can enjoy this uplifting music once again, burn off their energy on the dance floor and create that exciting vibe that's been missing for so long from our entertainment culture. "Dance is healthy, fun, exciting, totally infectious, and it promotes confidence, well-being, and long-term happiness" he says... "in a world where young people can focus all too easily on negativity, this surely can't be a bad thing." John Bongo's Devon Funk & Soul Club page: facebook.com/DevonFunkSoul

Join our Devon Funk & Soul Club group: facebook.com/groups/780285268769600

A polite message to venue managers...Please could all venues make sure that the equipment they're providing for the DJs ...
15/07/2026

A polite message to venue managers...

Please could all venues make sure that the equipment they're providing for the DJs they've hired is actually fit for use? This means that it all works as intended. I can't believe I have to write this...

I've found dodgy vinyl decks and / or mixing desks in 3 of the last 4 venues I've DJd in... I'll spare them the embarrassment and not name them.

If it wasn't for the backup cartridges I'd bought with me, 2 of these gigs definitely wouldn't have happened.

And while I'm on it, can you also set up the playout equipment, fully tested, and ready to go at the start time, and not begin to set up when the DJ arrives, and you suddenly remember you've booked one 😐 Having some idea of how your installed speaker system works also helps.

If you're unsure that your equipment is in good working order, please tell the booked DJ well in advance, so they can make arrangements to bring their own kit (and be paid a little more for the extra effort), or cancel the gig. And if you can't do that, then perhaps have a rethink as to whether you're passionate enough about vinyl DJs playing for your punters. Thanks πŸ‘

Remembering Minnie Riperton, who died on this day 12 July in 1979, at only 31 years. Riperton had a five-octave vocal ra...
12/07/2026

Remembering Minnie Riperton, who died on this day 12 July in 1979, at only 31 years. Riperton had a five-octave vocal range, and in her recordings, used what's known as the 'whistle register' - the highest register of the human voice.

09/07/2026

If you're up North and you wanna dance, this is the place. I was here around 2018... I'll get back there one o'these days, for sure.

What happens when Funk And Soul collides with Country? This right here...So, what's to say about Bobbie Gentry? After ha...
05/07/2026

What happens when Funk And Soul collides with Country? This right here...

So, what's to say about Bobbie Gentry? After having huge hits like 'Ode To Billie Joe' and 'Fancy', she grew tired of the demands of the music industry, giving up touring in the late '70s. Since then, she has refused almost all contact with the media, living quietly using her birth name, Roberta Lee Streeter. She hasn't recorded new music, performed, or given an interview since her last live appearance in April 1982. Nowadays, she lives a completely reclusive life in a gated community.

Despite her absence, her impact on music remains huge, and she was inducted into the Nashville Songwriters Hall of Fame in 2020.

Her silky smooth southern vocals here (with the slight crack), the funky backbeat, and the lilting strings that somehow give the impression of Southern heat haze are typical of many of her tracks.

Ladies and gentlemen... I give you Bobbie Gentry - 'Fancy'. You're welcome πŸ™‚

Bobbie Gentry performs "Fancy" on The Carol Burnett ShowWatch mor...

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High Street, Exeter EX4 3LN
Exeter
EX43LN

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