John Bongo

John Bongo As a quiet kid, drawing pictures of birds was about as exciting as things got. He'd never seen anything like it. The switch was thrown forever.
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Established, multi-genre DJ, specialising in the iconic pop genres: Funk & Soul, Disco, Post-disco & Boogie, Classic Rock, Classic House & Trance, Swamp Funk, '80s Electro, UK Pub Rock & New Wave, '60 Pop, Mod, Groove & Beat, Reggae, Ska & Dub, Worldbeat Not a lot changed until, at the tender and impressionable age of 14, John Bongo finally arrived at the weekly teens disco at the local pub - a place he figured he'd have zero interest in - and had been vigorously trying to duck out of being dragged to for months - much to his mates frustrations. So, on this hot Tuesday night in June 1979, the doors burst open, and a solid wall of unbelievably loud music and strobe lights almost knocking him to the floor, and a crazy, hot 'n' sweaty crowd filling the dance floor. The shock to the system almost made him turn on his heel and make an escape - but the sheer excitement kept him there. It was at that moment all the elements in the musical cosmos came together, fusing the nervous excitement, the teenage energy, the thumping music and synchronised dance floor disco lights. In that instant, he became totally hooked on the energy of this place, the dancers, and the music that fuelled it all. The quiet kid was instantly intoxicated by the vibe, and the DJ, a very cool-looking guy by the stage name of Buddie Holley, who sat at the helm of this incredible Disco Starship, high up, overlooking the dance floor. He played the records that generated the energy, and - in that moment - that's what John Bongo realised he wanted to do. He stood with eyes on stalks, watching the dancers - these were top movers - surrounded by a densely-packed wall of other kids watching in awe, their faces illuminated by the 'Saturday Night Fever'-style dance floor; Kev S and Rocker Rowsell with their hops and 'drops' borrowed from energetic northern soul moves, giving it all to Arthur Conley's Funky Street; disco 'smoothies' with magic black slip-on shoes and white socks, gliding effortlessly across the floor to Earth Wind & Fire's Boogie Wonderland or Jackson's Don't Stop 'til You Get Enough. He loved it all and couldn't get enough. From that point on, needless to say, a Tuesday night was never missed. Since then, he's been lucky enough to have played this beautiful form of dance music at all kinds of amazing events, including celebrations, festivals, corporate bashes, and private parties. He still gets the same buzz that he got when he first tumbled through that door into that hot, sweaty teenage disco. There's a simple equation... music with rhythm and groove is the fuel that ignites a primitive urge causing people to relax, let themselves go, and move their bodies to the music. This is what JB strives to recreate when he plays - whether it's a handful of people on a tiny dance-floor, or a field-full of festival-goers. There's little doubt that nostalgia has to play a big part of his love for soul, funk and disco, but it's artistry and connection with dance and togetherness is the big pull. It's never more powerful or vibrant than when you see it accompanied by dance, the two working together, influencing the DJ's track choices, or a band's energy. There's no other genre of music that can create such a powerful electric buzz at a party. It's high production values and the talents of the vocalists and musicians involved, ensure not only that it survives, but continues to thrive, with new artists emerging, creating exciting new sounds. It's influence on modern music has never been stronger than now. So that’s how John Bongo came to do this crazy thing. To be able to give as much fun and good vibes, and get the same back, is certainly a great trade, and a blessing. And finally... his dream is for clubs to be opened (and reopened) throughout the country, where young guys and gals can enjoy this uplifting music once again, burn off their energy on the dance floor and create that exciting vibe that's been missing for so long from our entertainment culture. "Dance is healthy, fun, exciting, totally infectious, and it promotes confidence, well-being, and long-term happiness" he says... "in a world where young people can focus all too easily on negativity, this surely can't be a bad thing." John Bongo's Devon Funk & Soul Club page: facebook.com/DevonFunkSoul

Join our Devon Funk & Soul Club group: facebook.com/groups/780285268769600

The magic moment between day and night.
22/09/2026

The magic moment between day and night.

It's a belated Happy birthday to the wonderful Chrissie Hynde, born September 7, 1951. Chrissie Hynde is one of those gl...
13/09/2026

It's a belated Happy birthday to the wonderful Chrissie Hynde, born September 7, 1951.

Chrissie Hynde is one of those gloriously straight-talking American women who gives the impression she don't take no nonsense, but still retains a sassy femininity about her.

'Brass in Pocket' is undoubtedly one of the greatest rock-pop songs ever. I remember it coming out of every radio for weeks in early 1980. My mate and I rechristened it 'Ass In Pocket' - but then, we were just daft 15 year-olds. I think it was the first time I really tuned in to guitars in a song - they managed to capture such a unique sound on this record, and this, along with Hynde's unique vocal delivery, surely helped to put it in Rolling Stone's '500 Greatest Songs of All Time' list.

Some interesting bits...

Hynde formed the Pretenders in Hereford (England) in '78, and has been their only continuous member. She's recorded songs with Frank Sinatra, Cher, and UB40, and was inducted into the Rock and Roll Hall of Fame in 2005 as a member of the Pretenders.

In November 1979, the Pretenders released their first breakout hit single 'Brass in Pocket' in the UK. Both this single, and their self-titled debut album hit number one in the UK charts on January 19th, 1980 (the same week of the albums release). 'Brass' spent two weeks at the top, and was the first UK number-one single of the 1980s.

In May 1973, Hynde moved to London. She landed a job at the music magazine NME, writing what she described as "half-baked philosophical drivel and nonsensical tirades." Afterwards, she worked at Malcolm McLaren and Vivienne Westwood's clothing store, 'S*x'. After a brief return to the US, she came back to London in '76 during the early punk era. At one point she tried to convince Steve Jones and then Johnny Rotten, to marry her to get her a UK work permit.

“I am a British subject, although I’m a big Yank and everything,” she said. “I talk like one, I walk like one, and that’s how I was brought up. But I’ve spent like two-thirds of my life now over there (the UK), so I have probably more of a British sensibility.”

On men and music, Hynde said "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind."

The name 'The Pretenders' was inspired by the Sam Cooke version of the Platters' 1955 R&B hit song 'The Great Pretender.'

This Friday! 🎶 🪩
09/09/2026

This Friday! 🎶 🪩

THE RAVEN OPENS THIS FRIDAY! 🐦‍⬛🥃

The wait is almost over… The Raven opens its doors this Friday, and we can’t wait to finally show you what we’ve been working on.

“There’s a rum for everyone!” 🍹
(Along with many b**r, w**e, cocktails and spirit options)

With over 30 different rums in stock, we’d love to help you discover your new favourite!Whether you’re a seasoned rum drinker or just curious to see what all the fuss is about.

🕕 Open from 6pm – midnight
🎧 John Bongo 9pm till midnight
📍 The Raven, 6 South Street, Bridport

Come down, grab a drink, have a look around and help us celebrate the opening of our new little corner of Bridport.

We’ve been working hard behind the scenes, and we’re finally ready to welcome you in. ❤️

Who’s joining us Friday? 👇

You came in out of the gusts and the showers (or just from the restaurant next door), and brought your good-time vibes t...
01/09/2026

You came in out of the gusts and the showers (or just from the restaurant next door), and brought your good-time vibes to The Salcombe Tap House in Sidmouth 😀

Thanks to all who were there Sunday evening while I dished up some funky soulful gems... special thanks to the girl with the best 'in-seat' dancing I've ever seen (seriously), the guy who blew in singing along, with not a bad voice, and with so much energy he could've been the live act, to the couple who broke out spontaneously salsa dancing to some luscious Latin tunes, and lastly, to the very sweet black cockapoo (sorry, forgot name) boogying to the basslines on his master's lap (he wins, paws down, his rhythm was impeccable) 🐕‍🦺 🎶 😍

Next time, I'll be playing outside on the decking 'dance floor' (as in the pic), when we'll all be complaining it's too hot 🔥 🌞 🤞

Friday Funk: Dolly Parton - Gettin' Happy. Cheers Dolly 😍
28/08/2026

Friday Funk: Dolly Parton - Gettin' Happy. Cheers Dolly 😍

Provided to YouTube by RCA Records Label NashvilleGettin' Happy ·...

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High Street, Exeter EX4 3LN
Exeter
EX43LN

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