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Superfest Booking

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Deutschland
Dresden
Superfest Booking

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Superfest Booking, Veranstaltungsplaner, Petrikirchstraße 5, Dresden.

10/06/2026

Super Fest 2026
06.-08.November
More tba soon

03/06/2026

📌 Superfest Booking präsentiert:

⚠️ Early Show!
📌 Einlass: 18 Uhr (Biergarten + DJ) // Beginn: 19.30 Uhr
📍Ostpol (Königsbrücker Straße 47)
🎫

📌 TVOD ( New York City)
Brooklyn-based rockers TVOD stand out with emotional, sometimes juvenile lyrics, paired with driving,
catchy songs that never fail to get a crowd moving/moshing. Influenced by post-punk, egg punk and krautrock, TVOD effortlessly weave musical genres in a way that comes off seamlessly. “More than anything, their sound is engineered to make you move” (Creem Magazine). The brainchild of singer- songwriter Tyler Wright, the project draws from personal and external inspirations like the nightlife/music scene, heartaches, World War II, the untimely death of a beloved pet fish, and so on. TVOD’s vivid storytelling paints a gritty tongue-in-cheek picture of being a D.I.Y. artist grinding it out in NYC, complete with fabled tales about the degenerate lifestyle and all the good and the bad that comes with it. TVOD bloomed into existence in 2019 via a high-energy cassette full of punk songs recorded by Wright on a Tascam 4-track tape recorder in the basement of a D.I.Y. space he was living in. Since then, the band independently released two EPs – Daisy (2020) and Victory Garden (2021) – along with singles “Alien”, “Mantis”, “Goldfish”, and “Poppies”, as well as two limited run 45’s, Creem Magazine describing their sonic palette as “a nod to traditional post-punk bands like The Pixies as well as newer ones like Dry Cleaning”.
https://televisionoverdose.bandcamp.com/album/party-time-remix

22/05/2026

📌Superfest Booking präsentiert:

📌Einlass: 19 Uhr / Beginn: 20.30
📌Biergarten ab 18 Uhr

🎫

🔥Marbled Eye ( Oakland, Kalifornien. )
Five years is a long time. So much can happen: friends move, children are born, family is lost. In punk time it might as well be eons; the entire existence of some bands have come and gone within that space. But for others it’s a matter of patience. Like cicadas waiting to come up from the ground, waiting for just the right moment, Marbled Eye have returned with a sophomore full-length worth the half-decade wait. Read The Air is everything a post-punk record should be: sharp, imaginative, and dynamic, blending art-school creativity, garage rock swagger, and primitive hardcore force like the intermingled shards of a freshly smashed pane of glass.

On closer “Spring Exit,” the band offers something of a mission statement: “wasted time and wasted youth / and we’re on the brink.” It’s not exactly a rallying cry, but for Marbled Eye there’s a strange determination, a desire to stare into oblivion but not to give in to it. There is no perfect human trajectory, there is only life and all of its ups and downs–the complications and frustrations, and the patience required to wade through them. “Clearly it’s an understatement to say some time has elapsed since our last full-length,” Lucero admits. “It took awhile, but I appreciate quality over quantity anyways.”
https://marbledeye.bandcamp.com/album/marbled-eye

🔥Support: Abfahrt West
https://abfahrtwest.bandcamp.com/album/abfahrt-west

20/05/2026

Superfest Booking präsentiert:

16.06.

📌 Ab 18 Uhr Biergarten mit
S.Y.N.T.H.E.T.I.C S.I.G.N.A.L.S

📌 Laura Krieg (CAN)
With “Crépuscule” I wanted to make people dance, even if they’re sad. I worked on a more ethereal and warm sound, on songs to listen to with an open heart. I wanted to explore the imaginary of the end; build a series of images captured at the moment when everything is about to disappear. A red sky in the desert, a diffuse character taking form but refusing to become real. I approached the writing of the album as multiple attempts to grasp this entity, resulting in a collection of fragments. I was inspired by classic Greek tragedy: Medea, the outsider, standing by the abysm, in the middle of the emptiness. And by postdramatic theater: Hamlet-machine, the impossibility to have a voice in the shadow of the Ghost. The omnipresence of death where we expect life. Another idea that drove the making of the album was the “in-between”: make encounter a feeling that drives me towards the deepness and another that pulls me up, searching for transcendence. In this liminal state, explore the space between melancholy and desire. Dancing to the end of everything. I placed the body in the center of the process, as a form of resistance:“Au milieu de la nuit, les corps sont brillants”.

+ Support: Chestnut Weeper

18/05/2026

🔥Super Fest Warm up:
📌22.06.2026
📌Einlass 19 Uhr // Beginn 20 Uhr

🔥 O.R.B.
ORB are a heavy-psych power-trio from Geelong, Australia, blending doom-laden riffs, fuzzed-out proto-metal and cosmic groove. Featuring members Zak Olsen, Daff Gravolin and John Zacharias, the band grew from informal jams into one of Australia’s most distinctive underground psychedelic rock acts.
They debuted with the Womb cassette (2015) before breaking through with Birth (2016) and Naturality (2017), records that showcased their signature mix of Sabbath-weight, psychedelic sprawl and off-kilter melody. After a quiet spell, ORB returned with Tailem Bend (2024), expanding their palette into sun-baked psych- pop and funk-leaning rhythms. 2025 saw the band self-release their first single with new drummer John Zacharius. "Mind Over Matter /End Times" is a catchy number which finds the band leaning into their early 60s rhythm & blues influences. With the single debuting on Seattle's KEXP radio, the band was then invited on to play a live set to kick off their 2025 US tour. Live, ORB operate as a raw, improvisational power-trio — loud, hypnotic and heavy without pretension. With one foot in classic hard-rock and another in the outer reaches of psych experimentation, ORB continue to evolve while staying unmistakably themselves.

12/05/2026

🔥Hey Ho! Cumbiaaaaaa!🔥
📌Superfest Booking & ShuShu Shows präsentieren:

📌Einlass: 19 Uhr / Beginn: 20.30 Uhr
📌Eintritt auf Spende ( Spendenempfehlung 14-20€)

🔥Rolando Bruno y el Grupo Arevalo
Rolando Bruno was born and raised in Buenos Aires, Argentina. After spending three years in Spain, he returned to his home country to fully dedicate himself to developing his unique musical vision. His current tropical music project began in 2005 while he was still a member of the garage-punk band Los Peyotes. While
Los Peyotes followed the classic rock band format, Bruno’s approach to cumbia started as a solo endeavor, using his computer — which he jokingly calls his “best friend” — to create backing tracks, ironically naming it his “MIDI Orchestra.” In 2015, Bruno expanded his sound by forming a full band and introducing a new name: Rolando Bruno & El Grupo Arévalo, a supergroup made up of musicians from the Buenos Aires underground scene. The lineup includes members of Les Mentettes, Alfonso el Pintor, Los Alamos, Los Peyotes, and Pecera. Cumbia Trash: A Unique Sound and Aesthetic His music is rooted in cumbia, but Bruno defines it as “cumbia trash”: a style that blends Peruvian chicha, Argentine cumbia from the ’80s and ’90s, psychedelic rock, Afro rhythms, and other global influences. This genre is defined not only by its sound but also by its distinctive vintage aesthetic and visuals, which are a key
part of the project’s identity. Their live shows are a guaranteed explosion of tropical fever and dancefloor
delirium.

09/05/2026

📌10.06.
📌Einlass: 19:30 Uhr // Beginn: 20:30 Uhr
🎫

Superfest Booking präsentiert:

SCREENSAVER (Aus)
Throwing off the shackles of existential dread with hypnotic beats, punk energy and swirling synths, screensaver take weighty themes about power, lies, corporate coercion and systemic failure and deliver them via their blend of maximalist post punk. With a dance heartbeat, a kraut-rock back bone and new wave glimmer, there’s a catharsis in their anxiety induced compositions that is both dark but danceable. In 2023 screensaver released their sophomore album Decent Shapes which came out as a split release on Poison City Records (AUS) and Upset the Rhythm (UK) and extended on the bands brand of maximalist synth driven post-punk established on their debut. The first single The Guilt found itself in the AMRAP Independent Music Charts top 10 during its first few weeks of release and received praise on Rolling Stone Australia , Post Trash , Raven Sings the Blues and PBS FM.
The album has received excellent reviews on NME, KEXP, Maximum Rock ‘n’ Roll and Brooklyn Vegan to name a few.

30/04/2026

Super Fest Booking und Festival L*abore präsentieren:

Saturno 4000
Berlin-based international collective Saturno 4000 are set to release their highly anticipated debut LP, Arrival, on April 10, 2026. Known for their explosive live shows and genre-defying grooves, the band blends psychedelic rock with flavours of Turkish and Latin music, surf, funk, and Afrobeat. With a reputation for igniting dance floors across Europe, Arrival comprises 10 tracks that mark the next step in their mission: to push boundaries and reinvent groove-driven music for a new generation. Lyrically, the album weaves in themes of philosophy, hermetic principles, and humanity, adding a deeper dimension to its captivating rhythms and radiant soundscapes.

https://saturno4000.bandcamp.com

Aftershow: Pauken & Trompeten + Der Doktor: Cumbia, World, Surf & Psychedelic

Abendkasse: 12-20€

Adresse

Petrikirchstraße 5
Dresden
01097

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