New Bass Order

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Most of our bigger events, the real panic didn’t hit until hours before doors. That’s when the noise died down and it fi...
05/02/2026

Most of our bigger events, the real panic didn’t hit until hours before doors. That’s when the noise died down and it finally sank in: what the f**k have we gotten ourselves into this time?

One bad night could end everything. Reputation in the gutter, finances wiped, the whole dream we’d built over years flushed. No safety net, no second chances.

For New Bass Order Festival II — tickets were sitting at around 850. Zürich isn’t a presale city, sure, people always wait till the last minute… but with this line-up? I’d convinced myself 1000 was the bare minimum to not bleed out completely. Anything less felt like walking into a firing squad.

At the security briefing I made it crystal clear: tonight there’s no selection, no door politics — everybody gets in. No bu****it, no “you don’t look the part.”... They weren’t happy. I basically threatened their jobs if they started gatekeeping. Payback for all the times I’d been rejected at this very location. Was petty, felt good.

An hour before doors I stepped outside. Roads empty. No queue snaking around the block like at Hospitality or Skrillex. Just silence. My chest tightened. Breathing turned shallow, hyperventilating kicked in hard. Adrenaline flooded everything — ears ringing, world slowing to half-speed, like moving through water. People were talking to me, mouths moving, but the sound was muffled, distant, haze closing in. I just remember walking, looking at the floor and seeing my cigarette shaking.

Alec did the traditional thing: grabbed my shoulders, big ass grin, “Sh*t’s gonna be amazing, bro. Everybody’s coming. Best night ever.” He was trying to calm me down like always. I knew it was bu****it. This time he was scared too.

Was it the date? Monday night, May 1st wasn’t a nationwide holiday in Switzerland. Maybe everyone was still recovering from the weekend. I couldn’t stand it anymore. Walked straight to backstage. Sat there alone, bass vibrating faintly through the walls.
No more running from it. Gotta face the music.

Then my phone blew up. Messages flooding in — people panicking they might not get in. The lines were huge. Not the ticket lines… the box office!

By now Sinan and the Kaufleuten crew knew exactly who Knife Party was. They’d heard Laidback Luke drop “Internet Friends...
04/02/2026

By now Sinan and the Kaufleuten crew knew exactly who Knife Party was. They’d heard Laidback Luke drop “Internet Friends” at one of their gigs — the crowd lost their minds the second the drop hit. When they found out it was our headliner, Sinan told me they literally jumped for joy in the office. That story hit me like a brick when he recounted it. Because it drove home just how insane the gamble had been in the first place.

Rewind to when we booked them. We hadn’t heard a single other track from Knife Party yet. We just knew Rob Swire was DnB royalty — DnB's Kayne or Daft Punk. The guy had to deliver. When “Internet Friends” leaked, and the moment it hit, it felt like Flux's Bass Cannon all over again: this was gonna be massive. But at booking time? Zero proof. Pure gut, pure audacity. If we’d waited until it charted and blew up… no chance we could’ve afforded them. The fee would’ve quadrupled overnight.

For the second floor we knew we needed balance. Bring in the godfather himself — Andy C. No one else could pull the old guard like him. Andy C represented legacy, respect, and guaranteed floor energy. New school on the main floor with Knife Party’s electro-dubstep, old school in the second hall with Andy pulling in the roots. Perfect split.

We were crystal clear with the community from the start: we didn’t give a f**k about the VIP sections. Tear them apart, crowd-surf the sofas, jump on the tables — they’re insured. Security can go f**k themselves. Brazen? Yeah. Reckless? Probably.

Sinan was surprisingly cool with it. Once he knew it wasn’t going to be a "party with knives". I guess he thought people were'nt going to follow through with it...

Things were ramping up hard now. The big one — New Bass Order Festival II — was looming like a storm you can smell in th...
03/02/2026

Things were ramping up hard now. The big one — New Bass Order Festival II — was looming like a storm you can smell in the air.

It started sinking in what we were actually trying to pull off. The sheer risk we’d piled on ourselves: insane line-up, bizarre location choice, budget stretched to breaking point, every loose end a potential catastrophe. Every day felt like a ticking time bomb. I remember sitting there, heart pounding, unable to sit still — desperate for the date to arrive, but dreading every passing second as another chance for total failure.

I started spreading panic through the crew like crazy. Calls, messages, “Did you check this? Push that harder. Call in every favor now.” Last-minute ideas flying: promo tweaks, extra visuals, anything to make it feel alive. Some stuck, some just got forgotten. I wanted something on the stage to be alive — something organic, breathing, not just another light show.

Our flyer mascot was this panda done by the legendary HiddenMoves — iconic, playful, and little creepy. I pitched: “What if we make a umbrella-sized panda head with glowing eyes?” Stupid idea? Maybe. But Alec didn’t laugh — he just picked up the phone, called in some of his art connections, and before I knew it the cut-up flyer concept exploded into a full-on giant panda with actual fur. Santschi our tech guy wanted an array of ultra strong Sharpie lights (only usually used at festivals), so it felt like we were reaching out to the crowd. It all came together in the last minute.

That’s what made those productions special. It wasn’t a well-oiled machine. No perfect project plan, no endless meetings. People just let their passions and visions pour in — raw, unfiltered, sometimes ridiculous. And somehow it all clicked into something goddamn real and beautiful 🐼

02/02/2026

When I talk about “conquering” Zurich, “taking over,” “complete destruction” — all that big-talk bravado — there’s this quiet, beautiful top-down view I still smile about when I look back.

If we’re being brutally honest about the crew? Most of us weren’t the cool kids. Not even close. We were the nerds. The ones who spent our youth weekend's deep in video games, watching sci-fi, reading manga, rolling dice in Dungeons & Dragons campaigns that lasted years. Music was the religion, the business side was just the annoying side-quest we had to grind through to keep playing.

A bunch of awkward music nerds throwing events for other music nerds. That’s the core of it. DnB and dubstep back then still carried that sophisticated edge — intricate rhythms, deep sound design, a scene that rewarded taste and knowledge over flash. Before the American corporate machine “EDM-ified” everything into glitter, chads, molly and festival merch empires, it felt like an underground society for people who actually listened.
And in that little Zurich bubble, we rose up.

We weren’t kings because we were popular or slick. We were heroes because we made a space where our kind of weird was the norm. Where a triple drop could feel like rolling a 20 crit, where the crowd knew every reference, every sample flip, every obscure remix.

That’s an upside of the crash at the end — we didn’t monopolize it long-term, didn’t turn it into a soulless machine. We got to be the underdogs who won, then bowed out before the crown rusted.

Heroes, even if just for one day.
Salutes to Bowie 🫡🎲👨‍🚀

So what makes even less sense than cramming the two biggest events in our entire history into one single month? Yeah… we...
30/01/2026

So what makes even less sense than cramming the two biggest events in our entire history into one single month? Yeah… we squeezed in a third.

Hospitality on Friday the 13th (1700+ cap), Full Metal Jacket on the 20th (400+ cap), New Bass Order Festival II on the 30th (2000+ cap).

Three events. Three different locations. Roughly 4000 tickets sold. 13 international artists flown in. Way over 200k CHF in revenue generated.

Flights, hotels, transfers, dinners, flyer designs, stage building, prints, promo runs — all in three weeks.
While all of us was still holding down full-time 9-5 jobs.

For anyone still thinking "nah, Bryan’s exaggerating, lots of crews did this" let it sink in. This wasn’t normal. Not in Zurich. Not in 2012. Not for bass music.

Other promoters must’ve looked at us like we’d lost our minds. A tiny city like Zurich suddenly pumping out this much volume, this much ambition, this much sheer insanity for just DnB and dubstep? Madness. Reckless madness. But also beautiful madness. What a time to be alive during that scene...

The FMJ night at Station Club was the wildcard in the middle — a fresh change of scenery after Härterei and Exil's chaos. Zomboy was a scene favourite at the time, dropping filthy riddim and brostep that had everyone losing their s**t. The room was smaller, more intimate, but the energy matched the madness of the month. Dope night, it wasnt just a filler gig, it was pure fun.

The peak wasn’t just one of the April nights. It was the whole deranged sprint.

It’s easy to romanticize the past. Even easier to overdramatize it. This isn’t either of those things — hear me out.Bein...
29/01/2026

It’s easy to romanticize the past. Even easier to overdramatize it. This isn’t either of those things — hear me out.

Being driven, living with that “first mentality” where you’re the one pulling triggers, making the calls, doing whatever it takes to make s**t happen… it looks aspirational from the outside. But it’s a zero-sum game. Double-edged sword, draws blood on both sides.

People told us we were overdoing it. The event frequency, the line-ups, the relentless escalation — yeah, they said it. Alec tried talking to me about it, but I didn't want to understand. To me, backing off would’ve been hypocritical when the cautious ones — the ones who warned me — ended up amazed, proud, even a little in awe of what we pulled off. I saw it as my role, my obligation to the team: keep reaching, keep pushing the ceiling higher. No one else was gonna do it.

Was it really for the team? Maybe for how the public perceived me? Those who truly know me know it was neither.

Then why spill this whole story now? Simple: it’s a cautionary tale.

There’s no one right way to run events — or life. Every path carries its own price tag. I’ve watched promoters destroy themselves over the years: burnout, bad bets, ego trips, isolation, the whole menu. What I’ve learned in my “old age” is that you do these things for the person in the mirror. How you see yourself, how you value yourself when the music stops and the lights come on. That’s the only scorecard that matters.

To this day I still drive forward like a maniac. Pull triggers, make s**t happen, chase the next impossible thing. I reap the rewards — and I eat the consequences. No regrets about the path itself. Just clarity on what it actually costs.

If you build your entire sense of worth around being the guy who never stops, who always goes bigger, who outruns everyone else… or any obsessive traits for that matter...

that s**ts not healthy.

It’s not what defines you as a man in society.

It’s not sustainable.

And inner peace — or what some people call happiness — is never waiting at the end of that race. It’s not hiding on the next summit.

So why even bother?

Anyway, now let’s get to the big one.

March — the calm before the absolute peak. The month before THE April, that turned into the biggest, most insane chapter...
27/01/2026

March — the calm before the absolute peak. The month before THE April, that turned into the biggest, most insane chapter of our existence… and the beginning of the steady decline that followed.

Nostalgically? We outgrew our own ambitions, shifted focus to opening our own club, and the rest is history. I’ll get to that soon. But first, our last event at Exil.

They felt betrayed — we’d only thrown two proper DnB nights there, then jumped ship to Härterei for the big rooms. We kept flipping the script on dubstep too: one month it’s Dubstep Collective, next it’s FMJ. They saw the writing on the wall — plus their deal wasn't working for the international heavyweights we were chasing. We weren’t trying to burn bridges, we just weren’t fitting anymore.

We parted ways after that night with a quiet goodbye to a venue that still holds a special place in my heart. Netsky euphoria, the intimacy of us rising thanks to the chance they gave us and the staff who actually gave a s**t — Exil was one of the rare good ones. Can’t say that for 99% of clubs in this business.

Right around then Mirko (Basslastiger Hooligan himself) hits me up — he’s managing Station Club now and wants us on board. We said yes… but with the terms: only dubstep nights. They obviously wanted us doing DnB. Incoming bridge-burning vibes. Choices were made, consequences followed.

The final Exil night was slapdash as hell — much like that quiet New Year’s Eve Dubstep Collective. We stacked a bunch of MCs on stage, went back-to-back-to-back, called it an MC night. Wholesome chaos: pure energy and everyone just vibing one last time in that room.

It was a worthy send-off. Not flashy, not record-breaking, but real. A nod to the place that believed in us when we were nobodies with a cellar to our name.

Exil, will always have a piece of our hearts. Thanks for the memories. The peak was coming… and so was the fall.

Here’s a small story I’ve barely told anyone — one of those origin moments that planted a seed years before New Bass Ord...
23/01/2026

Here’s a small story I’ve barely told anyone — one of those origin moments that planted a seed years before New Bass Order.

Back in my younger days I was clubbing 4–5 nights a week. If it wasn’t a DnB rave, it was straight benders, quick shower at dawn, and off to work like nothing happened.
Facebook was still that insider thing mostly for English-speakers back then. The first promoter who caught my eye blowing up on the platform was Raphael and his "Vanity" nights at Kaufleuten.

His promo videos were next-level — cinematic, glossy, straight Miami-in-Zurich energy. Lights, models, production value that made every other flyer look like a school project. For some reason I just messaged him with honest props, no agenda, just “This s**ts dope, respect.”

He thanked me and invited me to the next one. I showed up with two buddies, but they didn't let us in (Kaufleuten was notoriously hit-or-miss back then). Raphael spots me, greets me like we’re old friends who grew up together — hugs, big smiles, the works. Gets us in and orders a bottle on ice, just like that, on the house.

We sat there in the booth, doing shots, crazy view, and I remember thinking crystal clear: “Yeah man… this is peak Zürich. I could do this”. Rapha’s scene was worlds away from mine. Rich kids from the elite Swiss schools. Not my tribe at all. But that didn't stop him from being a pro promoter and leaving a lasting impression on me. I didn't need the bottle and free entry to understand why Raphael was so loved and respected. He was the guy I aspired to be in the biz. It's not the generous party boy thats respected, it's the pro who genuinly treats you with respect and appreciation first.

Fast-forward years later. Dirtyphonics night at Härterei is still ringing in our ears. In my Facebook DMs: Sinan, the manager of Kaufleuten, hits me up wanting to meet.
The kid who was barely allowed into Kaufleuten… now the manager is sliding into my DMs.

I told him sure we'll do it, but we want the ENTIRE club, both halls and the bar room... and we want Knife Party. His answer.... "Like a knife? A party with knives? I never heard of them, you sure that'll work?" 🔪🩸

22/01/2026

The Pendulum DJ Set video is dope as hell — captures the the lights, the vibes, the madness — but it only shows half the story. This one was Dirtyphonics on steroids. Stage dives, crowd losing their s**t, friends in the pit hugging it out like they’d never see each other again. We scaled the vibe exactly how we’d dreamed: peak energy, no filler, pure euphoria. Härterei felt alive, like the building itself was breathing with us.
Now… how the f**k do you top that?

Simple really: we planned Switzerland’s first Hospitality night AND New Bass Order Festival II… in the same damn month. Because that’s how we rolled. Absolute f**king psychos, no brakes, no sense of self-preservation. The real question is why?

We went full siege on Hospital Records. Approached them like we owned the place and demanded its our destiny to have the first Hospitality in Switzerland. Out targets: High Contrast, Cyantific, Camo & Krooked. Complete overkill, but it was more symbollic than a power move.

Camo & Krooked? We’d promised them after their tiny Superzero cellar days that we’d bring them back on a proper big stage. High Contrast? Liquid pioneer, god-tier for us. Everyone said he didn’t do gigs anymore — hopes weren’t high. But we pulled every string we had: every Hospital artist we knew put in a good word, vouched hard, told them this was the crew that actually gets it.

They came back with: “We’d love to, but we’re at Snowbombing in Austria the night before — no flight makes it in time.”

We didn’t blink. “No problem. We’ll pick you up by car.”

Private driver, straight from the Austrian mountains to Zurich, no excuses, no delays. They then had to say yes!

When people say stuff like "2012 was insane" they seldomly mean it literally. Well for us, it really was just that. Bonkers!

After the Dirtyphonics detonation, we didn’t even pause — straight into our second Härterei rave. This time: Pendulum DJ...
21/01/2026

After the Dirtyphonics detonation, we didn’t even pause — straight into our second Härterei rave. This time: Pendulum DJ Set.

We knew this was gonna be a monster. Finally pulling in the old-school heads who’d been waiting for something proper DnB-flavoured in the big room. Symbolic as hell too — yeah, it was “just” the DJ set, but in the same breath I’d already locked Rob Swire’s new EDM monster Knife Party for a future date. How that deal came together? Whole story on its own, trust me.

Support came from Skankandbass — guy with the fire YouTube channel, fresh off dropping that killer collab with the then-unknown Dimension. Perfect energy.

We went all-in on promo. No other events in February, so this was the only show in town for us. Dani’s Skream night got pushed to the background — our whole community flooded socials with this one. We even ran actual ads (rare move back then). Goal was crystal clear: top the Dirtyphonics high. And f**k me, we did. Room was electric, packed, sweat dripping from the ceiling again, crowd losing their minds from the first drop.

2012 had officially arrived, and we meant serious business.

The die-hards already knew what we were building was special. But now even first-timers felt it — something different in the air. Not the usual Zurich “nice venue, cool DJ” vibe. This was life-changing, alive, an ancient demon we’d summoned and set loose.

RAVE was officially back in town.

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