Bonzai's Boppin' Battles

Bonzai's Boppin' Battles We provide your own music trivia experience in the comfort of your own venue. Having fun at home has become an affordable preference.

We acknowledge the safety and value of good times on your own premises so you minimize safety risks and enjoy a game! Hello everyone, My name is Shawna :)
Back in my University days, after one night (my 19th birthday!), me and my friends would walk to the pub every Wednesday night for beer, burgers, and music trivia. I can’t tell you how many hilarious events ensued. One day, I decided it was tim

e to try my hand at hosting and started doing music trivia for friends and family. This became an annual occurrence, sometimes twice a year. It brought us all together and gave everyone something fun to look forward to during a backyard (or in our case, a garage) BBQ. During the isolating times of covid, I was able to recreate trivia over Zoom, which was fantastic! I did this for family as well as work functions, and it was a way to bring people together at a time where we had to be at a distance. Though both playing and hosting music trivia for friends and family has always been one of my favorite pastime activities, I have had a 13 year career in su***de prevention, specifically in crisis lines, and 9-8-8 Canada. I am a certified Master ASIST (applied su***de intervention skills training) trainer. My true personality shines when I am with the public, which led me to opening my own business in entertainment and I am excited to embark on the journey. Music is a magical force that brings people together. Nothing brings me more joy than when I play song and see people in the crowd randomly busting out in dance, singing along, or even sitting there with that look of bittersweet nostalgia, and you know they are thinking, ‘ah… this song… that takes me back somewhere.’

With that, my goal is to bring laughter, joy, and good tunes to your event, to add that little extra glimmer to your already memorable experience. I am looking forward to meeting you! Proud to be located in Nanaimo B.C., which is the unceded Territory of the Snuneymuxw people, and on whose traditional lands I live, work, and play.

08/19/2025

Janis Joplin sat on her hotel bed during a tour stop, the phone pressed to her ear as she asked the operator to connect her to Port Arthur, Texas. It was late, and after hours of traveling and performing, she felt drained. The night had begun with cheers and ended with the kind of quiet that made the distance from home feel heavier. When her parents’ voices came through, her words carried none of the boldness the public knew. She spoke softly, telling them she felt alone on the road.

She explained how each day blurred into the next, how cities, hotel rooms, and faces all seemed the same. Performing brought a short burst of connection, but once she stepped off stage, the noise and energy faded quickly. Her mother listened without interrupting, her voice calm and reassuring when she did speak. Her father, practical as ever, asked if she was eating properly, if she was resting, and if the travel was affecting her health. Janis answered honestly, her tone a mix of weariness and relief at having someone to confide in.

That night’s show had been one of her powerful sets, ending with “Ball and Chain,” a song that left audiences stunned and roaring with approval. Backstage, the band and crew had been upbeat, talking over each other about the performance. She had smiled and responded, but inside, the adrenaline was already fading. By the time she reached her room, the energy had turned to stillness. The quiet was too sharp, and it made her reach for the phone.

The road life that seemed exciting from the outside was often an exhausting cycle of travel, soundchecks, brief interviews, and late-night returns to hotel rooms. Even surrounded by her band Big Brother and the Holding Company, the pace and constant movement left little time for personal connection. On the call, she spoke about missing Port Arthur, not in grand statements but in details that meant something to her: the warm Gulf breeze, the familiar streets, and the comfort of a kitchen that smelled like her mother’s cooking.

Her parents had watched her grow from a young girl with a love for music into a national figure, her voice and style known across the country. Yet hearing her on that call reminded them of the daughter who once brought home stacks of records and sang along in her bedroom. They knew the public image of Janis Joplin, the bold performer in feather boas and bright clothing, was far from the whole truth.

She told them she sometimes wished for the ease of her earlier life, before interviews, tour schedules, and the pressure to live up to her reputation. She wanted to spend an evening without an audience, to sit at their table without anyone expecting a performance. Her parents, aware of both her strength and her vulnerability, reminded her that she was more than her career. They told her to focus on her well-being, to rest when she could, and to hold on to the parts of herself that existed long before the stage lights.

The call lasted long enough for her to feel the tension ease from her voice. She listened closely to every word, as if storing them away for the nights when the loneliness would return. The sound of her parents’ voices made the miles between them seem smaller, if only for that moment.

When she hung up, the room was still quiet, but the silence felt different. The conversation had given her something the applause never could, a reminder that no matter how far she traveled or how famous she became, she was still Janis, the daughter who could pick up the phone and hear the people who knew her best.

07/02/2025

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06/27/2025

In the autumn of 1973, inside the tiny Royal Court Theatre’s Upstairs stage in London, a bizarre musical took shape. Richard O’Brien, a struggling actor between gigs, wrote a strange, satirical play to occupy his time. He combined elements of science fiction, B-movie horror, glam rock, and sexual liberation. Originally titled "They Came from Denton High", the musical was retitled "The Rocky Horror Show". It ran for barely 60 minutes with a minimal cast, but each performance drew more and more curious theatergoers, eventually catching the attention of director Jim Sharman, who had directed O’Brien in "Jesus Christ Superstar".

Sharman convinced Lou Adler, a music executive who had backed the stage production in Los Angeles, that it needed a film adaptation. Filming began in October 1974 at Bray Studios, a British location known for Hammer horror films. The cast included Tim Curry as Dr. Frank N Furter, a role he originated on stage, and Susan Sarandon and Barry Bostwick as the clueless American couple Janet and Brad. Curry’s high heels, corset, and lipstick were not a costume experiment. He had performed in them on stage for years, perfecting a character that was equal parts predator, diva, and misunderstood genius.

One major obstacle hit early: the production’s limited budget. Instead of building lavish sets, the crew used Oakley Court, a decaying Gothic mansion near the Thames. The building was freezing cold, had no insulation, and was riddled with rats and leaky ceilings. Susan Sarandon caught pneumonia during the pool scene. She begged to wear a robe between takes but the costume team refused, fearing continuity issues. Her co-stars kept working under the same freezing conditions, with Tim Curry’s makeup often running from the moisture.

The film’s music, all composed by Richard O’Brien and arranged by Richard Hartley, was recorded before shooting began. Songs like "Time Warp", "Sweet Transvestite", and "Touch a, Touch a, Touch a, Touch Me" pushed the boundaries of what studio executives considered acceptable. During test screenings, executives were horrified. One commented, “It’s like watching a musical directed by Frankenstein and scored by David Bowie on acid.”

One of the strangest casting moments involved Meat Loaf, who was brought on to play Eddie. He later admitted he did not understand the script or plot at all. “They handed me this thing, and I thought, ‘Who’s Riff Raff? Why is there a transvestite alien? What is going on here?’” During his musical number "Hot Patootie", director Sharman demanded that Meat Loaf ride a motorcycle through the castle set. A stunt double handled most shots, but in one close-up, Meat Loaf accidentally crashed through a wall, injuring his knee.

The audience at the 1975 premiere did not know what to make of the film. It opened quietly in London and then bombed in the United States. But then, something unexpected happened in New York. The Waverly Theater began midnight showings, drawing eccentric, expressive crowds. People came dressed as Frank N Furter, Columbia, and Magenta. They yelled lines back at the screen, danced in the aisles, and threw props. A full-blown audience participation culture was born, not planned by the producers but invented organically by the viewers.

This underground popularity turned into a phenomenon. Richard O’Brien once shared that the script’s strangeness came from his own feelings of being an outsider. He had never felt at home in the traditional world and created a space where misfits could rule. He said, “I was never invited to the ball, so I wrote one and made myself the host.”

An unexpected cultural moment happened when Princess Diana met Tim Curry during a theater event in the 1980s. According to Curry, she told him with a smile, “Thank you for the film, it quite completed my education.”

"The Rocky Horror Picture Show" became more than a movie. It became a ritual, a sanctuary, and an unapologetic celebration of eccentricity and freedom. And it all started because one actor, unemployed and restless, wrote the weirdest thing he could imagine during a lonely winter evening.

Even today, somewhere on a midnight screen, Frank N Furter still struts down those castle stairs, fishnets shining, lips red, and arms wide open.

06/15/2025
06/08/2025

French Creek Pub~ Music Trivia TONIGHT 5-8PM!
No better way to spend a HOT TAMALE of a day!

06/08/2025

Welcome to the French Creek Pub We serve food, drinks, and laughter. Making great pub food and providing a fun eating experience since 2023. View Menu Book a Table Classic & Delicious Food and Drinks Enjoy an exceptional journey of taste. It’s our job every day to make every important aspect of th...

06/02/2025

Join me for a game of Music Trivia at the French Creek Pub on Sunday June 8th!

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Nanaimo, BC

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