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Barry Philips Discos Barry Philips Discos was established in 1977 to provide a reliable and high quality service of mobile disco and karaoke for all events.

Barry Philips Discos was established in 1977 to provide a reliable and high quality service of mobile disco and karaoke. We now have over 60 experienced DJs local to all the areas of Yorkshire, with differing musical tastes. this means that we provide the right DJ for the right occasion and never let our customers down. We specialise in late bookings with 24 hour back up. We pride ourselves in bei

ng able to provide a professional service for any occasion. All tastes are catered for at a very competitive price. Our audio systems give excellent quality sounds at both high and low volumes and we can match our equipment to your requirements. Discuss your mobile disco requirements, the phone is always manned.

THE 1000 BEST SONGS IN THE WORLD EVER.TODAY IS THE 66TH BIRTHDAY OF SIMON GALLUP.THE 1000 BEST SONGS IN THE WORLD EVER.9...
01/06/2026

THE 1000 BEST SONGS IN THE WORLD EVER.

TODAY IS THE 66TH BIRTHDAY OF SIMON GALLUP.

THE 1000 BEST SONGS IN THE WORLD EVER.

951-The Cure-In Between Days. (Extended Version.)

1985-Number 15 single.

Best Bit At 0.01. When I state that the ‘Best Bit’ is at ‘0.01,’ it generally means I an blown away by that songs intro. With this song I am blown away by all 1.51 seconds of it’s intro.

The Cure were formed in Crawley, West Sussex, England, in 1976, although the groups one constant Robert Smith refuses to be labelled with any genre, ‘The Cure’ are considered to have recorded ‘Gothic Rock,’ ‘Post Punk,’ Alternative Rock,’ and ‘New Wave.’ In total there have been 13 members come and go, and at the time of writing they are currently a quintet, with Robert Smith being the groups only ever present. The earliest incarnation of ‘The Cure’ was when a 13 year old Robert Smith and his schoolmates performed at a school function somewhere between 1972-1973 as ‘The Obelisk.’ The nucleus of that group moved on to secondary school where as friends they continued to play together, with other members coming and going, with Smith, and his other young band mates experimenting with differing musical genres. By 1977 they had become known as ‘Easy Cure,’ which was also the title of one of their earliest songs, it was Smith who changed the name to ‘The Cure’ on their official formation in 1978. In 2019 The Cure were inducted into the 'Rock and Roll Hall of Fame' by Trent Rezner (see also best songs 438.)

Robert Smith was born Robert James Smith on April 21st, 1959, in Blackpool, England, he is known for his guitar playing style, distinctive voice, and fashion sense. His public persona, and stage presence of a pale complexion, smeared red lipstick, black eye-liner, a dishevelled nest of wiry black hair, and all-black clothing, have been highly influential on the ‘Goth’ subculture that rose to prominence in the early 1980’s. Smith's alternative way of dressing appears to have been a lifelong obsession, dating back to his time as a pupil at the 'Notre Dame Middle School' between 1970-1972. Smith has described the school as 'A very free-thinking establishment,' with an experimental approach, a freedom he claims to have abused. On one occasion, he said that he wore a black velvet dress to school and kept it on all day. 'The teachers just thought, 'Oh, it's a phase he's going through, he's got some personality crisis, let's help him through it.'' It was while attending 'St Wilfrid's Comprehensive School,' in Crawley, England, from 1972-1977 that he met Mary Theresa Poole in drama class when they were both around 14 years old, they have been married since August 1988, and have 25 nieces and nephews, but have remained voluntarily childless, with Smith expressing the view that he not only objects to having been born himself but refuses to impose life on another. He also 'Does not feel responsible enough to bring a child into the world.'

The discography of The Cure who have sold in excess of 30 million records worldwide includes 14 studio Albums released between 1979-2024, and 47 singles released between 1978-2024, their are also 12 extended plays, (EP's) eight box sets, three remix Albums, seven official compilation Albums, and seven live Albums available. In the UK, 13 of their studio Albums have reached the top 40, with 'Wish,' (1992) and 'Songs of a Lost World,' (2024) both peaking the highest at Number 1, while 23 of their singles have reached the UK top 40, with ‘Lullaby’ from 1989 charting the highest at Number 5. In America on the Billboard 200 chart, all of their latest eight Albums have reached the top 40, with 'Wish' (1992) peaking the highest at Number 2, while on the Billboard Hot 100 singles chart, two of their songs have reached the top 40, with ‘Lovesong’ from 1989, charting the highest at Number 2, and 'In Between Days' stalling at Number 99. Away from The Cure, Robert Smith has appeared on two Albums by the English Alternative Rock band ‘Siouxsie and the Banshees,’ (see also best songs 668 and 238) as an official member. He played guitar on their 1983 live double Album ‘Nocturne,’ and also on their 1984 sixth studio Album ‘Hyaena,’ where he played guitar and keyboards. On Robert Smith’s time as a member of ‘Siouxsie and the Banshees,’ Steven Severin, that bands co-founder has said, ’I think he learnt how to be a front person, just by standing next to Siouxsie for a couple of months every night. I think he completely changed his persona on stage because of that, he came out of his shell. I think that he learnt how to be a bit more flamboyant, and how it was okay, and I think he saw how, y’know… how should I put it… Siouxsie’s more ‘diva’ moments were kind of acceptable because they were the front person, and I think he learnt how to get away with stuff. And just a bit about stagecraft, and how to use the audience a bit more. Because if you look at early clips of their performances you can see he’s sort of much more shy and retiring than he becomes a bit later on, and of course, his whole look changes as well.’

‘In Between Days’ was written by Robert Smith, and produced by Smith and David M. Allen, and was the first of two singles released from The Cure’s sixth studio Album ‘The Head on the Door’ from August 1985, it has been noted that the songs bass line is very reminiscent to the 1981 song ‘Dreams Never End,’ the opening track on ‘New Order’s (see also best songs 885 and 619) debut studio Album ‘Movement.’ David M. Allen was born on June 29th, 1953, in Twickenham, Middlesex, England, he is a music producer, engineer, and mixer. In total he has worked on five of The Cure’s studio Albums, and also their 1984 live Album 'Concert.' Other notable production work from Allen includes Albums by ‘The Sisters of Mercy,’ (‘First and Last and Always’-1985) The Mission, (Aura-1996) and Nenah Cherry (Man-1996.) The five official members of The Cure at that time who played on ‘In Between Days’ and it’s parent Album ‘The Head on the Door’ were Robert Smith, (vocals, guitars, and keyboards) Lol Tolhurst, (keyboards) Porl Thompson, (guitars, and keyboards) Boris Williams, (drums) and Simon Gallup (bass guitar.) Simon Gallup was born Simon Johnathon Gallup on June 1st, 1960, in Duxhurst, Surrey, England, he is the second longest serving member of The Cure after Robert Smith. In 1977 Gallup formed the ‘Punk’ band ‘Lockjaw,’ which later evolved into the ‘Post-Punk’ band ‘’Magazine Spies,’ who frequently played and socialised with the early versions of The Cure. After Michael Dempsey a founding member of The Cure left the group in 1979, Gallup was recruited as his replacement. Gallup left The Cure in 1982 but returned in 1984, and has appeared on all but three of the groups 14 studio Albums, and the one live Album ‘Concert.’

‘In Between Days’ is an upbeat, happy sounding ‘Pop’ song, something not always associated with The Cure, (although there have been a few) but unlike the beat, the lyrics are not happy, as they tell of an affair that the narrator had, then realising that he had made a mistake, he is now wanting to get his first love back.

‘And I know I was wrong when I said it was true, that it couldn’t be me and be her in between without you.’

PLEASE FEEL FREE TO COMMENT.
For a list of all the best 1000 songs Google Barry Philips Discos Blog.

THE 1000 BEST SONGS IN THE WORLD EVER.TODAY WOULD HAVE BEEN THE 105TH BIRTHDAY OF NELSON RIDDLE.THE 1000 BEST SONGS IN T...
01/06/2026

THE 1000 BEST SONGS IN THE WORLD EVER.

TODAY WOULD HAVE BEEN THE 105TH BIRTHDAY OF NELSON RIDDLE.

THE 1000 BEST SONGS IN THE WORLD EVER.

73-Frank Sinatra with Count Basie & The Orchestra-I've Got You Under My Skin. (Live at the Sands Hotel And Casino.)

1966-It has never been released as a single in the UK.

Best Bit-2.11. Many genres of music have an exciting crescendo. For example in 'Rock' music it might be the guitar solo, while in 'Pop' music it could be that irresistible chorus, or in 'Electronic Dance' music it might be the 'Drop,' but in 'Swing' music, it doesn't come any better than this.

Frank Sinatra (1915-1998) (see also best songs 877-567-469 and 120) who first sang 'I've Got You Under My Skin' in 1946 on his weekly radio show, as the second part of a medley with the song 'Easy to Love' recorded 'I've Got You Under My Skin' on four significant occasions during his long and illustrious career. His first recording of the song was for his 10th studio Album 'Songs for Swingin' Lovers!,' which is noteworthy for being the first LP to top the first ever UK Album chart on July 22nd, 1956. That Album was arranged by Nelson Riddle (1981-1985) (see also best songs 877 and 286) who has stated that a big influence in his formative years was hearing Serge Koussevitsky (1874-1951) and the Boston Symphony Orchestra playing Maurice Ravel's (1875-1937) 'Bolero' (1928.) He said, 'I've never forgotten it. It's almost as if the orchestra leaped from the stage and smacked you in the face.' The other recordings of 'I've Got You Under My Skin' by Sinatra are a re-recorded version that appears on his 1963 Album 'Sinatra's Sinatra,' and the version with U2 lead singer Bono, (see also best songs 766-320-190 and 84) which was recorded for his 1993 Album 'Duets.'

'I've Got You Under My Skin' was originally written in 1936 by Cole Porter, (1891-1964) (see also best songs 944-655 and 295) and first performed by the American actress and singer Virginia Bruce (1910-1982) in the musical film 'Born to Dance' in 1936. Other popular recordings in 1936 were by Ray Noble (1903-1978) and his Orchestra, with vocals by Al Bowlly, (1899-1941) (see also best songs 443) and by Hal Kemp (1904-1940) and his Orchestra with vocals by Skinnay Ennis (1907-1963.) 'I've Got You Under My Skin' has been recorded by hundreds of artists down the years, with notable charting versions being by the Four Seasons (see also best songs 739-284 and 83) who reached Number 9 in America, and Number 12 in the UK in 1966, and Nenah Cherry (see also best songs 839) whose 'Hip-Hop' version for the 'Red Hot + Blue' charity Album reached Number 25 in the UK in 1990. Franki Valli has said that the Four Seasons were inspired to record 'I've Got You Under My Skin' after watching Sinatra perform the song on TV. But they didn't want to copy the crooner's style. 'We managed to make it sound like us, and that all came under the heading of the way the harmony was laid out. We used a basic type of harmony on almost everything we did - a harmony that had a lot of church overtones, with a touch at times of the modern.'

The version of 'I've Got You Under My Skin' that I have chosen is the Frank Sinatra live recording from his 1966 Album 'Sinatra at the Sands,' which was recorded live in the 'Copa Room' of the former Sands Hotel and Casino, in Las Vegas, between January and February 1966. Sinatra was accompanied by Count Basie (1904-1984) and his orchestra, who were conducted and arranged by Quincy Jones, (1933-2024) (see also best songs 1022-889-812-703-511-357 and 191) it was the first commercially released live Album from Frank Sinatra, with the production credited to Sonny Burke (1914-1980) (see also best songs 469 and 120.) Frank Sinatra and Count Basie had previously collaborated on the 1962 'Sinatra-Basie' studio Album, and the 1964 studio Album 'It Might As Well Be Swing,' with both of those Albums released on Sinatra's 'Reprise' record label. As well as Sinatra singing many of his best loved songs live, the 'Sinatra at the Sands' Album also features a near 12 minutes 'monologue' around half way through the performance, where he addresses the audience, in a routine comparable with that of a stand up comedian.

Count Basie was born William James Basie on August 21st, 1904, in Red Bank, New Jersey, United States, he died on April 26th, 1984, of pancreatic cancer, at the age of 79. Count Basie who was a Jazz pianist, organist, bandleader, and composer, formed the 'Count Basie Orchestra' in 1935, he led the group for almost 50 years, and was noted for creating innovations, such as the use of two 'split' tenor saxophones, emphasising the rhythm section, riffing with a big band, using arrangers to broaden their sound, and also for his minimalist piano style. As a composer, Basie is remembered for writing such Jazz standards as 'One O'Clock Jump,' (1937) 'Blue and Sentimental,' (1938) and "Jumpin' at the Woodside,' (1938) 'One O'Clock Jump,' is also one of the songs featured on the 'Sinatra at the Sands' Album. Count Basie has spoken about how he got his honorific title, 'I got the name 'Count' right in Kansas City in 1936 while at the Reno Club. I was known as Bill Basie at that time. One night, while we were broadcasting, the announcer called me to the microphone for those usual few words of introduction. He commented that Bill Basie was a rather ordinary name, and, further, that there were a couple of well-known bandleaders named Earl Hines and Duke Ellington. Then he said, “Bill, I’ll call you Count Basie from now on. Is that all right with you?” I thought he was kidding, shrugged my shoulders and replied, “OK.” Well that was the last time I was ever introduced as Bill Basie. From then on, it was Count Basie, and I never did lose that nickname. It’s funny the way those things will stick.' Count Basie is just one of a number of Jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, 'aristocratic' or 'royal' titles as nicknames, they are collectively known as 'Jazz Royalty,' and include, Benny Goodman, (1909-1986) (The King of Swing) Nat 'King' Cole, (1919-1965) (see also best songs 988-327-226 and 161) Ella Fitzgerald, (1917-1996) (The Queen of Jazz) (see also best songs 944-702-286-231 and 100) Bessie Smith, (1892-1937) (The Empress of the Blues) (see also best songs 345) Edward Kennedy Ellington, (1899-1974) (The Duke) (see also best songs 1039 and 370) Billie Holiday, (1915-1959) (Lady Day) (see also best songs 624) and Louis Armstrong (1901-1971) (The Ambassador) (see also best songs 1039-767-286-231 and 100.)

If someone gets 'under your skin' it generally means that you are irritated with that person. This song twists the meaning of the idiom, as here a lady has gotten under Sinatra's skin, but in a way that makes him crazy about her. Although it was Quincy Jones, and Count Basie instructing the orchestra on this recording, the arrangement still remains faithful to the Nelson Riddle 'Songs for Swingin' Lovers' rendition, and you can hear Sinatra's excitement as he shouts 'Run for cover,' and 'Run and Hide,' and then 'Hey,' just as the orchestra reaches it's crescendo.

'Don't you know, little fool you never can win. Use your mentality wake up to reality, but each time that I do just the thought of you makes me stop before I begin, 'cause I've got you under my skin.'

THE 1000 BEST SONGS IN THE WORLD EVER.

286-Ella Fitzgerald and Louis Armstrong-They Can’t Take That Away from Me.

1956-It has never been released as a single in the UK.

Best Bit-At 1.32. When you have the music of George Gershwin, the lyrics of Ira Gershwin, and the mesmerising vocals of Ella Fitzgerald and Louis Armstrong, the hard part isn’t trying to find a 1000 songs to fill this list, it’s having to choose which ones to leave out.

‘They Can’t Take That Away from Me’ was one of the songs written by George Gershwin (1898-1937) (music) and his brother Ira Gershwin (1896-1983) (see also best songs 231) (lyrics) for the 1937 Musical Comedy ‘Shall We Dance,’ starring Fred Astaire, (1899-1987) (see also best songs 385) and Ginger Rodgers (1911-1995.) In the film the song is sung by Astaire to Rodgers, who remains silent throughout the performance, there is also no dance sequence performed. Fred Astaire and Ginger Rodgers did perform a dance routine to the song when appearing in their 10th and final movie together in 1949, in ‘Barkleys of Broadway.’ This was also the only song that Astaire performed more than once in any of his movies.
George Gershwin (see also best songs 231) was born Jacob Gershwine on September 26th, 1898, in Brooklyn, New York City, United States, he died from a malignant brain tumour on July 11th, 1937, at the age of 38. Gershin was a prolific writer of music, composing several orchestral pieces including ‘Rhapsody in Blue’ (1924.) His Opera’s include ‘Blue Monday,’ (1922) and ‘Porgy and Bess,’ (1935) he also composed the music for 19 Broadway, and London Musicals, as well as the original scores for five films. George Gershwin showed no interest in music until the age of 10 when he heard a friend playing a violin. At about the same time, George’s parents had bought a piano for his older brother Ira. To his parents surprise though, and to Ira’s relief, it was George who spent more time playing it. In 1913 at the age of 15 George Gershwin left school to work as a ‘song plugger’ on New York City’s Tin Pan Alley, (see also best songs 669-535-443-412 and 397) earning $15 a week. His first published song was ‘When You Want ‘Em, You Can’t Get ‘Em, When You’ve Got ‘Em, You Don’t Want ‘Em’ in 1916. His first song to appear on Broadway was ‘Making of a Girl,’ written in 1916 with Sigmund Romberg, (1887-1951) with lyrics by Harold Atteridge, (1886-1938) it was sung in ‘The Passing Show’ of 1916. In 1919, Gershwin scored his first big national hit with his song ‘Swanee,’ with words by Irving Caesar, (1895-1996) after hearing Gershwin perform it, Al Jolson (1886-1950) (see also best songs 310) put it into his show ‘Sinbad,’ and recorded it in 1920, the song would become one of Jolson’s signature tunes. It was in 1924 that George Gershwin composed his first major work, ‘Rhapsody in Blue,’ It was orchestrated by Ferde Grofé, (1892-1972) and premiered by Paul Whiteman’s (1890-1967) (see also best songs 82) Concert Band, in New York. It subsequently went on to be his most popular work, and established Gershwin’s signature style and genius in blending vastly different musical styles, including Jazz and Classical, in revolutionary ways.

Ella Fitzgerald (1917-1996) (see also best songs 944-231 and 100) and Louis Armstrong (1901-1971) (see also best songs 1039-767-231 and 100) had recorded together in the 1940’s for the Decca Records label. In 1956 they recorded the first of a further three Albums together, this time for the ‘Verve’ label. Their version of
‘They Can’t Take That Away from Me’ is featured on ‘Ella and Louis,’ with the production being by Norman Granz (1918-2001) (see also best songs 231) and was released in October 1956. The musicians who played on this song, and it’s parent Album, were the ‘Oscar Peterson Quartet,’ who were Oscar Peterson, (1925-2007) (piano) Herb Ellis, (1921-2010) (guitar) Ray Brown, (1926-2002) (bass) and Buddy Rich, (1917-1987) (drums) as well as sharing the vocals, Louis Armstrong also played the trumpet. In 1959 Ella Fitzgerald recorded the song again, this time as a solo artist, for her acclaimed Album ‘Ella Fitzgerald Sings the George and Ira Gershwin Song Book.’

They Can’t Take That Away from Me,’ and it’s parent Album ‘Ella and Louis’ were produced by Norman Granz, who was born on August 6th, 1918, in Los Angeles, California, United States, he died of cancer on November 22nd, 2001, at the age of 83. Norman Granz was a music producer who is acknowledged as ‘The most successful impresario in the history of Jazz.’ He was the founder of five record labels, including ‘Verve Records’ in 1956, which was the label that the ‘Ella and Louis’ Album was released on. Granz was also Ella Fitzgerald’s, and Oscar Peterson’s manager. Many other giants of Jazz, including Charlie Parker, (1920-1955) Art Tatum, (1909-1956) and Lester Young (1909-1959) also had their recordings issued on the ‘Verve’ record label. Granz was a champion of racial equality, insisting, for example, on integrating audiences at the concerts he promoted. Granz opposed racism and fought many battles for his artists, many of whom were black. Oscar Peterson recounted how Granz once insisted that white cabdrivers take his black artists as customers, while a policeman pointed a loaded pistol at his stomach. Norman Granz also was among the first to pay white and black artists the same salary, and to give them equal treatment even in minor details such as dressing rooms. He insisted on equal treatment for Ella Fitzgerald, in both pay and hotel accommodations.

‘The way your smile just beams, the way you sing off key. The way you haunt my dreams, no, no, they can’t take that away from me.’

THE 1000 BEST SONGS IN THE WORLD EVER.

877-Frank Sinatra-You Make Me Feel So Young.

1956-It has never been released as a single in the UK.

Best Bit-At 1.26. The very first British Album chart was published on July 22nd, 1956, and ‘Songs for Swingin’ Lovers!’ by Frank Sinatra, became the first ever Number 1 Album, staying at the top for two weeks.

Francis Albert Sinatra (see also best songs 567-469-120 and 73) was born on December 12th, 1915, in Hoboken, New Jersey, United States, both of his parents were Italian immigrants, he died on May 14th, 1998, after a heart attack, at the age of 82. During the early part of his career he was nicknamed ‘Chairman of the Board,’ but later on he became fondly known as ‘Ol’ Blue Eyes,’ due to his piecing blue eyes. Frank Sinatra was married four times, and had three children, including Nancy Sinatra (see also best songs 1010-978-367 and 124.) With sales in excess of 150 million records sold worldwide, he is one of the best selling artists of all time. Away from music, Sinatra also had a long and successful career as an actor, where he appeared in 62 films between 1941-1995, for which he received numerous awards, including winning the ‘Golden Globe for Best Actor – Motion Picture Musical or Comedy,’ for his role in the 1957 musical comedy ‘Pal Joey.’

The extensive discography of Frank Sinatra includes 59 studio Albums released between 1946-1994, and 297 singles issued between 1939-1993. Sinatra’s first chart entry in America was in 1939 with the ‘Harry James Orchestra,’ on ‘It’s Funny to Everyone but Me,’ he also had his first Number 1 hit single with the ‘Harry James Orchestra,’ in 1940 with ‘All or Nothing at All.’ Between 1940-1942 he recorded with the ‘Tommy Dorsey Orchestra,’ and he released his first solo single ‘Night and Day,’ in 1942, which reached Number 16 on the chart. In total Frank Sinatra has had 170 top 40 hits in America, with 11 of those songs reaching the Number 1 spot. In the UK, since an official chart was first published in 1952, Frank Sinatra has charted within the top 40 on 30 occasions between 1953-1993, with three of those tracks reaching Number 1, including his 1967 duet with his daughter Nancy Sinatra on ‘Somethin’ Stupid.’

‘You Make Me Feel So Young’ is the opening track on ‘Songs for Swingin’ Lovers!’ which was the 10th Album released by Frank Sinatra from March 1956. ‘You Make Me Feel So Young’ was co-written by Josef Myrow, (1910-1987) (melody) and Mack Gordon, (1904-1959) (see also best songs 775 and 321) (lyrics) with the song and it’s parent Album being produced by Voyle Gilmore (1912-1979.) The Album’s music was arranged and conducted by Nelson Riddle (1921-1985) (see also best songs 286 and 73.) ‘You Make Me Feel So Young’ was originally written by Myrow and Gordon for the 1946 musical film ‘Three Little Girls in Blue,’ where it was sung by the characters and performed by Vera-Ellen, (1921-1981) and Charles Smith, (1920-1988) with voices dubbed by Carol Stewart and Del Porter (1902-1977.)

Frank Sinatra’s musical career had been on the decline for several years, and was badly in need of a boost, and that’s what happened when he signed with ‘Capital Records’ in 1953, but essentially it was being teamed up with the arranger and composer Nelson Riddle that changed his fortunes for the better. Riddle who had already arranged ‘Mona Lisa’ (1950) for Nat King Cole, (1919-1965) the best selling song of Cole’s career, was brought in to work with Sinatra by ‘Capital Records,’ and together they would collaborate on 19 Albums together. Other classic Albums the pair teamed up for include ‘ In the Wee Small Hours,’ (1955) ‘ Songs for Young Lovers,’ (1954) and ‘Swing Easy!.’ (1954.) ‘Songs for Swingin’ Lovers!’ is considered to be amongst Sinatra’s best work, and in 2000, the Album was inducted into the ‘Grammy Hall of Fame.’

‘The moment that you speak, I want to go and play hide and seek. I wanna go and bounce the moon just like a toy balloon. You and I are just like a couple of tots, running across a meadow, pickin’ up lots of forget me nots.’

PLEASE FEEL FREE TO COMMENT.
For a list of all the best 1000 songs Google Barry Philips Discos Blog.

THE 1000 BEST SONGS IN THE WORLD EVER.TODAY IS THE 79TH BIRTHDAY OF RONNIE WOOD.THE 1000 BEST SONGS IN THE WORLD EVER.70...
01/06/2026

THE 1000 BEST SONGS IN THE WORLD EVER.

TODAY IS THE 79TH BIRTHDAY OF RONNIE WOOD.

THE 1000 BEST SONGS IN THE WORLD EVER.

70-Faces-Stay with Me.

1972-Number 6 single.

Best Bit-At 3.20, and again at 3.42, and again at 3.53, and again at 4.03, and again at 4.14.

The Faces (see also best songs 565) were formed in London, England, in 1969 by Ian McLagan, (1945-2014) Ronnie Lane, (1946-1997) and Kenney Jones, who had all been members of the Small Faces, (see also best songs 1048 and 872) along with Rod Stewart, (see also best songs 965-565-206-179 and 34) and Ronnie Wood, (see also best songs 160) who had both been members of the Jeff Beck Group. They remained active through until 1975, before reforming between 2009-2011, and then again in 2021. In total there have been nine official members come and go, with Jones, Stewart, and Wood being the three current ones. The discography of the Faces includes four studio Albums released between 1970-1973, and 11 singles released between 1969-1974, there are also three box sets, 13 official compilation Albums and one live Album available. In the UK, three of their studio Albums have reached the top 40, with their final studio Album 'Ooh La La' peaking the highest at Number 1 in 1973, while four of their singles have reached the UK top 40, with 'Cindy Incidentally' peaking the highest at Number 2 in 1973. In America on Billboard, three of the Faces studio Albums have made the Billboard 200 chart, with their third release 'A Nod Is As Good As a Wink... to a Blind Horse,' peaking the highest at Number six in 1971, while two of their singles have reached the Billboard Hot 100, with ('I Know) I'm Losing You' making Number 24 in 1971, and 'Stay With Me' peaking the highest at Number 17 also in 1971.

‘Stay With Me’ was co-written by Rod Stewart, and Ronnie Wood, and produced by Glyn Johns, and the Faces, and was the only single released from the Faces third studio Album ‘A Nod Is As Good As a Wink…to a Blind Horse,’ from November 1971. If you think that is a fairly long song title then try another of the groups records, ‘You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Shortcomings)” / “As Long as You Tell Him,’ which is the longest ever song title of a single to make the UK top 40, reaching Number 12 in 1974.

Glyn Johns (see also best songs 1048-933-732-662-265-and 77) was born on February 15th 1942, in Epsom, Surrey, England, over the course of his career he has worked as a producer, engineer, and musician, and has also released six solo singles between 1962-1965 under his own name. He is credited by music critics, and fans of the ‘Faces’ for ‘A Nod Is As Good As a Wink…to a Blind Horse’ being a more focused and concise offering that the two previous ‘Faces’ Albums. He would go on to produce the Faces fourth and final studio Album ‘Ooh La La,’ and also work on separate projects with Ronnie Wood, and Ronnie Lane. Glyn Johns has worked with many of the worlds top artists including the Beatles, (see also best songs 599-319-238-218-141-80-51-10 and 5) The Rolling Stones, (see also best songs 933-662-452-160 and 77) and the Eagles (see also best songs 505 and 198.) He is the older brother of the producer and engineer Andy Johns, (1950–2013) who began as an engineer with Jimi Hendrix, (1942-1970) (see also best songs 983 and 492) and like Glyn Johns, worked with the Rolling Stones and Led Zeppelin (see also best songs 135 and 66.) He is also the father of Ethan Johns, (see also best songs 551) who has followed in his fathers footsteps as a producer and engineer. Glynn Johns is recognised as one of the pre-eminent audio engineers and record producers of the Rock era, and on April 14th, 2012, he was inducted into the 'Rock and Roll Hall of Fame.'

Ronnie Lane was born Ronald Frederick Lane on April 1st, 1946, in Plaistow, Essex, England, he died on June 4th, 1997, from pneumonia during the final stages of multiple sclerosis, at the age of 51. In 1977 he was diagnosed with multiple sclerosis, and was supported by charity projects and financial contributions from friends, former band mates and fans, he lived with the disease for 21 years. Ronnie Lane described his father as a 'saint' who would work a long workday and then return home to nurse his wife and two sons, all of whom were diagnosed with multiple sclerosis (MS) at different points in their lives. Doctors assured Lane as a child that the destructive disease was not necessarily inherited, although he found out later in his life that he had indeed inherited it. Ronnie Lane co-formed the Small Faces in 1965, and after their split, then co-formed the Faces in 1969. He quit the Faces in 1973, due to poor reviews of the groups fourth studio Album ' Ooh La La,' and also Rod Stewart's lack of commitment, according to Ian McLagan, Ronnie Lane would later regret leaving the Faces. After leaving the Faces, Ronnie Lane formed his own band called 'Slim Chance,' and scored two UK top 40 singles with 'How Come,' (1974-UK Number 11) and 'The Poacher,' (1974-UK Number 36) he would then go on to release seven solo studio Albums between 1974-2000, there are also eight official compilation Albums, and four live Albums available. For his work in both the Small Faces and the Faces, Ronnie Lane was inducted posthumously into the 'Rock and Roll Hall of Fame' in 2012.

‘Stay With Me’ tells of a one night stand, where Rod Stewart informs us about picking up a ‘groupie’ by the name of Rita while on tour. He makes it very clear that she must be gone in the morning before he awakes, but he does offer to pay her cab fare home. He notes her ‘red lips, hair, and fingernails,’ and he repeats the rumour that she is a ‘mean old Jezebel,’ and he also tells us that she has a face that has ‘nothing to laugh about.’ Rod Stewart had recently just had a Number 1 single on both sides of the Atlantic with ‘Maggie May,’ (see also best songs 34) which was partly based on a true story where he had been the subject of a sexual conquest by an older woman. Perhaps a very experienced psychologist could write a detailed thesis on this to help us (and Rod) to understand what it all really means.

‘So in the mornin’ please don’t say you love me, ’cause you know I’ll only kick you out the door. Yeah, I’ll pay your cab fare home, you can even use my best cologne, just don’t be here in the mornin’ when I wake up, come on, honey.’

THE 1000 BEST SONGS IN THE WORLD EVER.

160-Rolling Stones-Miss You.

1978-Number 3 single.

Best Bit-At 2.20. The Rolling Stones once sang 'It's Only Rock 'N' Roll But I Like It,' but this isn't just Rock 'N' Roll, it's 'Disco' as well.

By 1978 the Rolling Stones (see also best songs 933-662-452 and 77) had already been superstars for at least 15 years, and had been at the top of the tree for longer than 99% of other artists could ever dream about. Their last truly critically acclaimed Album had been 1972's 'Exile on Main Street,' and although the three studio Albums since then still showed them performing at a high level, the onset of 'Punk',and 'Disco', and also lots of new kids on the block, were all adding up to a steady decline in the bands popularity. Like John Lennon (1940-1980) and Paul McCartney, of the Beatles (see also best songs 599-319-238-218-157-141-80-51-10 and 6) the songwriting team of Mick Jagger and Keith Richards also legally shared song writing credits, regardless of whom had the most input. In 1977 Keith Richards was in trouble over his highly publicised he**in possession bust in Canada, and was waiting to find out if he might be sent to jail. This gave Jagger the freedom to expand his own musical barriers, and experiment with modern 'R&B' and 'Disco' music.

'Miss You' started out life in March 1977 when Mick Jagger was jamming with keyboardist Billy Preston, (1946-2006) (see also best songs 737) it was them who came up with the basic track, Bill Wyman who was the Rolling Stones bassist at that time has said, 'The idea for those bass lines came from Billy Preston. We'd cut a rough demo a year or so earlier after a recording session. I'd already gone home, and Billy picked up my old bass when they started running through that song. He started doing that bit because it seemed to be the style of his left hand. So when we finally came to do the tune, the boys said, Why don't you work around Billy's idea? So I listened to it once and heard that basic run and took it from there. It took some changing and polishing, but the basic idea was Billy's.' Wyman also went on to say, 'When I did the riff for 'Miss You,' which made the song, and every band in the world copied it for the next year, Rod Stewart, (see also best songs 965-565-206-179-70 and 34) all of them, it still said Jagger/Richards. When I wrote the riff for 'Jumpin' Jack Flash', it became Jagger/Richards and that's the way it was. It just became part and parcel of the way the band functioned.'

'Miss You' was the first of four singles released from the Rolling Stones 14th UK, and 16th U.S. studio release 'Some Girls,' from June 1978, the Album has gone on to be the groups best ever selling studio Album with sales in excess of six million copies worldwide. 'Miss You' was the first Rolling Stones song to receive a remix, taking the original 4.48 Album version up to 8.38 for the 'Special Disco Version,' which was first issued on Pink 12 inch vinyl. The bands drummer Charlie Watts (1941-2021) has said, 'A lot of those songs like 'Miss You' were heavily influenced by going to the discos. You can hear it in a lot of those four on the floor rhythms, and the Philadelphia style drumming. Mick and I used to go to discos a lot... It was a great period. I remember being in Munich and coming back from a club with Mick singing one of the Village People songs - 'Y.M.C.A.', (see also best songs 105) I think it was - and Keith went mad, but it sounded great on the dance floor.' In a 1980 interview with John Lennon for the 'Pl***oy Interviews with John Lennon & Yoko Ono,' Lennon said about his song 'Bless You,' from his 1974 fourth solo studio Album 'Walls and Bridges, 'Bless You' is again about Yoko. I think Mick Jagger took 'Bless You' and turned it into 'Miss You'... The engineer kept wanting me to speed that up - he said, 'This is a hit song if you'd just do it fast.' He was right. 'Cause as 'Miss You' it turned into a hit. I like Mick's record better. I have no ill feelings about it. I think it's a great Stones track, and I really love it. But I do hear that lick in it. Mick Jagger has said that the lyrics to 'Miss You,' 'Is an emotion, it's not really about a girl. To me, the feeling of longing is what the song is.'

Bill Wyman was born William George Perks on October 24th, 1936, in Lewisham, London, England, he is considered a part of the Rolling Stones recognised classic line up, and performed on their first 19 albums, as a group member between 1962-1993, he returned to the fold in 2023 to play bass guitar on 'Live by the Sword,' a track from the Rolling Stones 24th studio Album 'Hackney Diamonds.' It was in 1964 that he legally changed his surname from 'Perks' to 'Wyman,' taking the phonetic surname of a friend, Lee Whyman, with whom he had done national service in the Royal Air Force from 1955 to 1957. Prior to joining the Rolling Stones, Bill Wyman had been a member of the 'Cliftons,' and it was that groups drummer Tony Chapman who had informed Wyman that a 'Rhythm and Blues' band called the Rolling Stones needed a bass player. Wyman auditioned at a pub in Chelsea, London, on December 7th, 1962, and was hired. After leaving the Rolling Stones Wyman has released nine solo studio Albums between 1972-2024, and he has also released 12 singles between 1967-2015. In 1997 he formed the 'Blues Rock' group 'Bill Wyman's Rhythm Kings,' issuing six Albums between 1997-2004. As a solo artist two of his singles have reached the UK top 40, '(Si Si) Je Suis un Rock Star,' (1981-Number 14) and 'A New Fashion' (1982-Number 37.) On June 2nd, 1989, at the age of 52, Bill Wyman married 18-year-old Mandy Smith, whom he had 'fallen in love with' when she was 13, and, according to Smith, had a sexual relationship with when she was 14. The couple separated two years later and finalised their divorce two years after that. In 1993, Wyman's son Stephen Wyman married Patsy Smith, the 46-year-old mother of Bill's ex-wife Mandy Smith. Stephen was 30 years old at the time. Consequently, the ex-Rolling Stone became his own son's ex-son-in-law, the father-in-law of his ex-mother-in-law, as well as the step-grandfather of his ex-wife.

'Hey, what's the matter man? We're gonna come around at twelve with some Puerto Rican girls that are just dyin' to meet you. We're gonna bring a case of wine, hey, let's go mess and fool around you know, like we used to.'

THE 1000 BEST SONGS IN THE WORLD EVER.

565-Faces-Pool Hall Richard.

1973-Number 8 single.

Best Bit-At 4.21. If you don’t think that the song is ‘SMASHING’ by this stage, you never will.

Faces were formed in 1969, in London, England, after Steve Marriott (1947-1991) had left the ‘Small Faces’ (see also best songs 1048 and 872) in order to form ‘Humble Pie. The remaining three Small Faces, Ian McLagan, (1945-2014) (keyboards) Ronnie Lane, (1946-1997) (bass guitar, and vocals) and Kenney Jones, (drums) joined with Ronnie Wood, (guitar) (see also best songs 160 and 70) and Rod Stewart, (vocals) (see also best songs 965-206-179-70 and 34) who had both just left ‘The Jeff Beck Group,’ to form the ‘Faces.’
They remained active through until 1975, before reforming between 2009-2011, and then again in 2021, as well as performing one offs for special events, although after 1975 none of the five original members ever played together as a unit at the same time again. In total there have been nine official members come and go, with Jones, Stewart and Wood being the three current members. When forming in 1969, their record label ‘Warner Bros.’ wanted to stick with the name ‘Small Faces,’ for marketing purposes, but the group insisted on dropping the ‘Small,’ stating that the new members Ronnie Wood and Rod Stewart were 5’9′ and 5’10’ respectively.

Faces were active until 1975 releasing four studio Albums, and 10 singles, of which four entered the UK top 20. As well as being the groups lead singer, Rod Stewart also had a very successful solo career running concurrently with his time with the Faces. Ronnie Lane left the group shortly before the recording of this song, stating his frustration at, has he saw it, the lack of opportunities to contribute new songs, and take the lead vocal. Ronnie Lane would later develop multiple sclerosis, and he passed away on June 4th, 1977. Lane was replaced by the Japanese bass guitarist Tetsu Yamauchi, who played on this song, and the groups final Album release, the live recording ‘Coast to Coast: Overture and Beginners,’ from 1974. In 1978 drummer Kenney Jones joined ‘The Who’ as the replacement for the recently deceased Keith Moon, (1946-1978) Ronnie Wood joined The Rolling Stones and has played on all of their studio Albums since 1976, and keyboard player Ian McLagan also joined The Rolling Stones as part of their touring band, as well as playing electric piano on their 1978 single ‘Miss You’ (see also best songs 160.) Rod Stewart who was already a very successful solo artist by 1975, would go on to even greater success as a solo artist after the initial split.

Ian Patrick McLagan, was born on May 12th, 1945, in Hounslow, Middlesex, England, he died on December 3rd, 2014, of a stroke, at the age of 69. McLagan first started playing in bands in the early 1960’s in London, eventually joining the Small Faces as a replacement for Jimmy Winston (1945-2020) in 1965. With the Small Faces he played on all of their final five studio Albums, and then on all four studio Albums with the Faces, he has also released 10 solo Albums between 1979-2014.

‘Pool Hall Richard’ which was issued as a stand alone single in December 1973, was co-written by Rod Stewart and Ronnie Wood, with the production credited to Ron Nevison, and Mike Bobak. Ron Nevison is an American music producer, and audio engineer. He started his career in the early 1970’s, getting his big break as an engineer on ‘Quadrophenia,’ (see also best songs 265) the sixth studio Album by The Who in 1973, this was followed shortly with his first production on Thin Lizzy’s fourth studio Album ‘Nightlife,’ in 1974. Ron Nevison has gone on to produce for some of the worlds top artists, including Ozzy Osbourne, Meatloaf, and Grace Slick. In 1987 he produced the Album ‘Crazy Nights,’ for the American Rock band ‘Kiss,’ which provided the hit single ‘Crazy Crazy Nights,’ (UK Number 4) which is perhaps his most recognisable produced track.
‘Pool Hall Richard’ which first appeared on a Faces Album in 1976, as the opening track on their compilation ‘Snakes and Ladders / The Best of Faces,’ tells the tale of a pool player, who is also the songs narrator. The narrator knows he has met his match in his opponent, who goes by the name of ‘Pool Hall Richard.’ He is in awe of his talent, and also thinks that he could take his lady as well, if he wanted to.

‘Sweatin’ hard, I didn’t get a shot, all I did was stand around and get too hot. Knowin’ all the people walkin’ on my side, losin’ all my money and I’m getting tired.’

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