John Bongo

John Bongo As a quiet kid, drawing pictures of birds was about as exciting as things got. He'd never seen anything like it. The switch was thrown forever.
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Established, multi-genre DJ, specialising in the iconic pop genres: Funk & Soul, Disco, Post-disco & Boogie, Classic Rock, Classic House & Trance, Swamp Funk, '80s Electro, UK Pub Rock & New Wave, '60 Pop, Mod, Groove & Beat, Reggae, Ska & Dub, Worldbeat Not a lot changed until, at the tender and impressionable age of 14, John Bongo finally arrived at the weekly teens disco at the local pub - a pl

ace he figured he'd have zero interest in - and had been vigorously trying to duck out of being dragged to for months - much to his mates frustrations. So, on this hot Tuesday night in June 1979, the doors burst open, and a solid wall of unbelievably loud music and strobe lights almost knocking him to the floor, and a crazy, hot 'n' sweaty crowd filling the dance floor. The shock to the system almost made him turn on his heel and make an escape - but the sheer excitement kept him there. It was at that moment all the elements in the musical cosmos came together, fusing the nervous excitement, the teenage energy, the thumping music and synchronised dance floor disco lights. In that instant, he became totally hooked on the energy of this place, the dancers, and the music that fuelled it all. The quiet kid was instantly intoxicated by the vibe, and the DJ, a very cool-looking guy by the stage name of Buddie Holley, who sat at the helm of this incredible Disco Starship, high up, overlooking the dance floor. He played the records that generated the energy, and - in that moment - that's what John Bongo realised he wanted to do. He stood with eyes on stalks, watching the dancers - these were top movers - surrounded by a densely-packed wall of other kids watching in awe, their faces illuminated by the 'Saturday Night Fever'-style dance floor; Kev S and Rocker Rowsell with their hops and 'drops' borrowed from energetic northern soul moves, giving it all to Arthur Conley's Funky Street; disco 'smoothies' with magic black slip-on shoes and white socks, gliding effortlessly across the floor to Earth Wind & Fire's Boogie Wonderland or Jackson's Don't Stop 'til You Get Enough. He loved it all and couldn't get enough. From that point on, needless to say, a Tuesday night was never missed. Since then, he's been lucky enough to have played this beautiful form of dance music at all kinds of amazing events, including celebrations, festivals, corporate bashes, and private parties. He still gets the same buzz that he got when he first tumbled through that door into that hot, sweaty teenage disco. There's a simple equation... music with rhythm and groove is the fuel that ignites a primitive urge causing people to relax, let themselves go, and move their bodies to the music. This is what JB strives to recreate when he plays - whether it's a handful of people on a tiny dance-floor, or a field-full of festival-goers. There's little doubt that nostalgia has to play a big part of his love for soul, funk and disco, but it's artistry and connection with dance and togetherness is the big pull. It's never more powerful or vibrant than when you see it accompanied by dance, the two working together, influencing the DJ's track choices, or a band's energy. There's no other genre of music that can create such a powerful electric buzz at a party. It's high production values and the talents of the vocalists and musicians involved, ensure not only that it survives, but continues to thrive, with new artists emerging, creating exciting new sounds. It's influence on modern music has never been stronger than now. So that’s how John Bongo came to do this crazy thing. To be able to give as much fun and good vibes, and get the same back, is certainly a great trade, and a blessing. And finally... his dream is for clubs to be opened (and reopened) throughout the country, where young guys and gals can enjoy this uplifting music once again, burn off their energy on the dance floor and create that exciting vibe that's been missing for so long from our entertainment culture. "Dance is healthy, fun, exciting, totally infectious, and it promotes confidence, well-being, and long-term happiness" he says... "in a world where young people can focus all too easily on negativity, this surely can't be a bad thing." John Bongo's Devon Funk & Soul Club page: facebook.com/DevonFunkSoul

Join our Devon Funk & Soul Club group: facebook.com/groups/780285268769600

Brilliant new-ish single from Radiohead's songwriter and guitarist Ed O’Brien.Blue Morpho is from his album of the same ...
31/05/2026

Brilliant new-ish single from Radiohead's songwriter and guitarist Ed O’Brien.
Blue Morpho is from his album of the same title, released on 22 May. O'Brien recorded this second album following a period of depression. I always think it's wonderful when something so artistic and beautiful comes out of someone's suffering, especially when the cause of that is mental unwellness. It's part of the healing and recovery process, but also leaves behind a lasting milestone, bringing joy and peace to others.

Listen to 'Blue Morpho': https://transgressive.lnk.to/bluemorphosin...

29/05/2026

Just over a month to go! 😎🕺 Don’t miss out, tickets linked in my bio.🔗

28/05/2026

George Benson is really enjoying Roy Ayers' mastery on this. The speed and accuracy of Roy's strikes during the double-time part at 0:32 is incredible. What a dream team indeed.

You might've heard that it would've been the iconic and influential Jazz trumpeter Miles Davis' 100th birthday recently....
26/05/2026

You might've heard that it would've been the iconic and influential Jazz trumpeter Miles Davis' 100th birthday recently. Not being a huge fan (and not knowing much of his output), I can't come up with a tune recorded by him that I feel strongly enough about to post in tribute, but I do love Ronny Jordan's iconic acid-jazz version of 'So What' written by Miles. It's a very different track than the original - funky, with a solid bassline, a fat, syncopated hip-hop / breakbeat rhythm, and with the prominent instrument being the jazz guitar, rather than the trumpet. This is the one you can dance to. Jordan favoured the Gibson hollow-body jazz guitar played on this track for it's warm, woody, Wes Montgomery-style tones. There's also some very nifty piano work on it. The track is from his 1992 debut album 'The Antidote'.

Provided to YouTube by Universal Music GroupSo What! · Ronny Jord...

Dick Parry's evocative sax solos conveyed as much feeling and emotion as the vocals, Gilmour's guitar, or Wright's keys ...
25/05/2026

Dick Parry's evocative sax solos conveyed as much feeling and emotion as the vocals, Gilmour's guitar, or Wright's keys on Pink Floyd's music. His solo on 'Money' is one of my favourite saxophone solos ever... the song would be a very different thing without that amazing sax. I'll play those Floyd tunes later in tribute to him, and to remember his invaluable input that made the band what it was ❤️ 🎷

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Exmouth

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